A guide book of art, architecture, and historic interests in Pennsylvania
History
A guide book of art, architecture, and historic interests in Pennsylvania
Architecture -- Pennsylvania; Art -- Pennsylvania; Historic buildings -- Pennsylvania; Pennsylvania -- Guidebooks; Pennsylvania -- History
[Illustration: ANTIQUE CAPITAL, CHESTER PLACE, WELLSBORO
Used as a sun dial
_From Stanford White collection_]
native sandstone, windows furnished by Tiffany, are quiet and pleasing
in tone, of unusual harmony with the masonry; pulpit and altar are also
from the Tiffany studios; the church contains many fine memorials. St.
Peter’s Roman Catholic Church was remodeled from the old academy,
locally an important and historic institution; standing on a hill the
church raises aloft a gilded cross, impressive and beautiful above the
surrounding foliage.
The broad main street is paved with brick, around a central strip of
green grass, and shaded with fine old elms and maples. The Wellsboro
Cemetery, purchased in 1855, was laid out by B. F. Hathaway, landscape
gardener, of Flushing, Long Island; stone arch gateway, Romanesque, of
local conglomerate, is memorial to Honorable Henry Warren Williams,
Justice of Supreme Court, buried here; architect, J. H. Considine,
Elmira; on summit of the knoll is the grave of George W. Sears, poet of
outdoor life and wood lore, monument has bas-relief bronze portrait, set
in granite; Honorable John J. Mitchell, Judge of Pennsylvania Supreme
Court and United States Senator, is also buried here. Woodland Park,
twenty-six acres, is owned by Leonard Harrison, Esq., who generously
maintains it for public use; has surface of hill and dell, stretches of
natural forest, and fine views from its higher outlooks.
Several citizens have grounds formally laid out, and planted under
professional advice; of these, designed by Bryant Fleming, of Townsend &
Fleming, Buffalo, is Chester Place, left to the borough by bequest, for
a public library; the garden has an Italian roofed pergola ending with
a marble bust and seats, on top of the terrace which divides the upper
and lower gardens; a sundial, fastened to an old Spanish Renaissance
capital, which came from the collection of garden marbles made by the
late Stanford White, is on a rectangular plot of green, and forms the
center of one garden room, surrounded by a brick walk, in turn framed by
a broad border of shrubbery; into the brick pavement are set little
marble panels, carved with designs of roses, birds, etc., other insets
contain quotations appropriate to gardens; set into the wall outside at
right and left of entrance, are tiles with trees in bas-relief, inside,
correspondingly placed, are reliefs showing old Italian garden
decorations, Socrates and Hercules.
Just outside of Wellsboro is an old covered wooden bridge, in Pine Creek
Gorge, through which the Tyadaghton (River of Pines) runs, mountains
rise perpendicularly on either side for 1000 feet; the gorge is sixteen
miles long, filled with trout stream tributaries, where also bear, deer,
and other game abound.
Public-domain text, read in full here on John Shaqi.
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