Supper,” was made in 1889, by Salviati, Venice, from cartoons by Henry Holiday, London, and under his own supervision; large double window in transept also by Holiday; a Tiffany window is, “Christ Among the Lilies,” the only flower He mentions in the Evangels, and accepted as symbol of the resurrection; the window, showing the angel sitting on the edge of the tomb with partly unfolded wings, is copy of a picture by Axel Ender, over the altar of a church in Molde, Northern Norway; near the reredos is “The Angel of Purity,” sculptor Augustus Saint Gaudens, which suggests his “Amor, Caritas,” owned by the French Government, now in the Luxembourg; here is also a bas-relief by Charles Grafley of Dr. David D. Wood, organist of St. Stephen’s for forty-six years; the great organ was built by C. T. Haskell, Philadelphia, in consultation with Dr. Wood; pipes were voiced in the church, resulting in a sweetness and just proportion of tone; its echo organ, located about two hundred feet away, is in the loft over the chancel. Parish house is on site of the old graveyard, tombstones are in pavement of cloister; architect, George C. Mason, Jr. TRINITY, Oxford, Oxford Road and Second Street Pike; colonial; founded, 1698. Present brick church erected 1711-12; the transepts and tower later; was the first house of worship in Pennsylvania, owned and occupied by the Quakers, and presented by them to the Church of England, for Episcopal use and worship. Chalice and paten sent by Queen Anne, engraved “Anne Regina,” 1713; she died in 1714, it is probably the last one she sent to America, and has been used in every Holy Communion for over two centuries. Tiffany altar window, “The Baptism of Christ.” The altar, of walnut and oak, is beautifully carved. This is the mother of many flourishing missions, St. Luke’s, Germantown; Our Saviour, Jenkintown; St. Mark’s, Frankford; Emmanuel, Holmesburg; Holy Trinity, Rockledge; and Trinity Chapel, Crescentville; today it stands, vigorous and full of life, in its old age, greatly enlarged and carefully restored; the utmost care has been taken to disturb none of the old walls, and to keep the historic features intact; the glass, in the body of the church, is an opaque yellow, harmonizing with the colonial buff of the walls and barrel ceiling. The churchyard is of great interest, one stone, dated, 1686, is said to mark the grave of an Indian.