A guide book of art, architecture, and historic interests in Pennsylvania
History
A guide book of art, architecture, and historic interests in Pennsylvania
Architecture -- Pennsylvania; Art -- Pennsylvania; Historic buildings -- Pennsylvania; Pennsylvania -- Guidebooks; Pennsylvania -- History
THE FRANKLIN INSTITUTE, Seventh Street above Chestnut; organized, 1824;
open free daily; classic, marble, built, 1825; John Haviland, architect.
First organization in the United States to combine science with
practice; the lecture course presents, free to the public, latest
advances in useful arts and sciences, by distinguished technologists;
also popular illustrated addresses on topics of the day; school of
Mechanic Arts includes instruction in mechanical and architectural
drawing, said to be one of the most thorough and practical in the United
States. Library is second to none, in extent and completeness, as
reference for scientific literature; _The Franklin Journal_, published
since 1825, monthly, is the only record extant of a number of early
United States patents. They held first exhibition in America of American
manufactures, 1824, in Carpenters’ Hall, and first electrical exhibition
in America. Portraits include Dr. Benjamin Franklin and Matthias W.
Baldwin by Sully, Daguerre by Abraham Whiteside, and bust of Henry Clay
by William Rush, carved wood. Among relics are typesetting and
electrical machines, used by Benjamin Franklin, and early models of
machinery. Will be moved to Parkway, Race Street, east of Nineteenth
Street.
THE HISTORICAL SOCIETY of Pennsylvania, 1300 Locust Street, in mansion
of General Robert Patterson, enlarged and made fireproof; founded, 1824.
Open 10.00 A.M. to 6.00 P.M.; July and August, closes at 4.00 P.M.;
publishes the _Pennsylvania Magazine of History and Biography_; contains
probably the largest collection of sources of American history assembled
in any one place; includes over 100,000 bound books, 250,000 pamphlets,
7000 volumes of manuscripts and some 3500 volumes of newspapers, which
are invaluable to the student of colonial and Revolutionary history; an
INDEX TO THE MARRIAGES AND DEATHS, in Dunlap, Claypoole and Poulson’s
AMERICAN DAILY ADVERTISER, creates a constant demand for the files of
that newspaper for genealogical purposes; Tom Paine’s AMERICAN CRISIS,
1776, and many other rare imprints of Americans. The Society has a large
and exceedingly rich collection of oil paintings; practically all the
governors of the state are represented in portraiture on its walls, some
of the mayors of Philadelphia, and portraits of many Revolutionary
officers; a portrait of Johannes Kelpius, the “Hermit of the
Wissahickon,” by Christopher Wick, in 1704, is believed to be the
earliest portrait in oil painted in America; portraits of Gustavus
Hesselius, his wife, and of Robert Morris, Sr., father of the financier,
painted by Gustavus Hesselius, are of historic interest; a fine
collection of original
[Illustration: GEORGE WASHINGTON
From the collection in Independence Hall
_Painted by Rembrandt Peale_]
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