Copies of this Guide Book may be procured at the Cathedral from the Verger or the Ushers, or will be sent by mail upon request addressed to the Verger (p. 23). In stiff paper covers 50 cents (by mail 60 cents); in purple cloth covers stamped with gold $1.00 (by mail $1.10). FOOTNOTES [1] The service on Nov. 24, when the flags of 12 liberated nationalities were carried in the procession, and that on Thanksgiving Day when the flags of 27 allied nations were carried, were two of the most moving religious services ever held in this country. The liberated peoples represented in the former were the Armenian, Albanian, Czecho-Slovak, Jugo-Slav, Greek Irredentist, Italian Irredentist, Lithuanian, Polish, Rumanian, Uhro-Rusin, Ukranian, and Zionist. [2] The quality of divinity appertaining only to the Deity. [3] This was a stone tower similar to the one so well preserved in Central Park. The remains of another are at the northern end of Morningside Park. [4] See note on page 116. [5] The pastoral staff was presented to Bishop Manning in 1923 by the Bishop, clergy and laity of the Diocese of London. See reference to the Diocese of London on page 24. [6] The processional cross, a memorial of the late Walter D. Davidge, Chairman of Ushers, is overlaid with pure gold, and mounted upon a carved mahogany staff. In its center is a large topaz jewel with many facets. It was made by Messrs. J. & R. Lamb. [7] Mr. Heins was born May 24, 1860, in Philadelphia, Penn., and died September 25, 1907, at Mohegan Lake, N. Y., where there is a church erected in his memory. [8] Morningside Heights are so named because they front eastward. [9] See description of corner-stone on page 100. [10] This is true in both the natural and the spiritual worlds. The oak grows more slowly than the pine; and the moral achievements which are worth the most and last the longest are the hardest to accomplish. [11] The figures of the Virgin and the Child suggest the fact that the Chapel of St. Saviour occupies the position usually given to the Lady Chapel in European cathedrals. [12] The diagonal cross of St. Andrew symbolizes not only the mode of his martyrdom but also humility. The legend is that when condemned to death, he asked to be nailed to a cross of a form different from the Saviour’s, as he was not worthy to die on the same kind. [13] The usual symbol of St. Bartholomew, the knife with which he was flayed alive, and that of St. Matthew, the money bag, indicating his occupation before he was called, are not apparent. [14] There is a tradition that St. Luke painted the first portrait of Christ. Pictures of the Madonna attributed to Luke are not uncommon in southern Italy. There is one such in the Cathedral of SS. Peter and Paul at Citta Vecchia, Malta. See article entitled “Knights and Sights of Malta” in Harper’s Magazine for July, 1923, p. 159.