Each word is separated from that opposite it by a flower within a
circle. Many such stones are known, always with six words of six
letters, so that it seems clear that they were used as boards for a
game, possibly the _duodecim scripta_ already mentioned. The pieces
used were probably the so-called "contorniates," bronze discs of coin
form, with designs in relief on either side within a raised rim and
a circular depression. Two examples of these contorniates (in
electrotype) are exhibited below the stone board (No. =633=). The
pieces are of late Imperial date, of about the time of Constantine.
Many have subjects closely connected with the circus, a fact which
harmonizes well with the inscription on the board described. One of
the two exhibited has a head of Alexander and a representation of a
chariot race, the other a head of Nero and a water organ (see below,
p. 216).
(=630=) Cf. _Röm. Mitt._, 1896, p. 238 ff.; _Rev. Arch._, 4th
Series V. (1905), p. 110 ff.; (=631=) _Röm. Mitt._, 1896, p.
227 ff.; (=632=) Cf. _Num. Chron._ (4th Series), VI., p. 232
ff.; _Notizie degli Scavi_, 1887, p. 118.
On ancient toys and games generally, see Becq de Fouquières,
_Les jeux des anciens_; Daremberg and Saglio, s.v. _Ludus_.
[Footnote 81: Herodot., i. 94.]
[Footnote 82: _Anth. Pal._ vi. 308: [Greek:
Nikêsas tous paidas, epei kala grammat' egrapsen,
Konnaros ogdôkont' astragalous elaben.]
]
[Footnote 83: Pollux, ix. 126 (reading [Greek: ephistatai] and
omitting [Greek: ê]).]
[Footnote 84: Cf. _Anth. Pal._ xiv. 8: [Greek:
hex, hen, pente, dyo, tria, tessara kybos elaunei.]
]
[Footnote 85: Aesch., _Agam._ 32: [Greek:
ta despotôn gar eu pesonta thêsomai,
tris hex balousês têsde moi phryktôrias.]
]
[Footnote 86: Mart., xiv. 14:
Cum steterit nullus vultu tibi talus eodem,
Munera me dices magna dedisse tibi.
]
[Footnote 87: Prop., iv. 8, 45 f.:
Me quoque per talos Venerem quaerente secundos,
Semper damnosi subsiluere canes.
]
[Footnote 88: _Latro_ originally meant "a mercenary soldier."]
XXIV.--MARRIAGE.
(Wall-Case 53.)
Public-domain text, read in full here on John Shaqi.
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