These two helmets, the Corinthian and the Attic, were so far the most general among the Greeks as to merit the name of the classical types. No. =193= is an intermediate form which has been assigned to the Aegean Islands because of its occurrence in vase-paintings from the Cyclades. This example was found in the river Alpheios, and was no doubt originally dedicated, like several other pieces in this collection, in the temple at Olympia. It is cut straight over the eyes, has no nose-piece and no ear-holes (fig. 67). A peculiar feature is a broad band with high raised edges which runs over the crown of the head from forehead to neck. A stout pin in front of this shows that the band was a channel in which the crest was fixed. A row of silver studs and a silver band decorate the rim of this helmet, and there are remains of ornaments in relief, palmettes on forehead and at the ears, and on each cheek-piece a horseman. These were no doubt also of silver, but the plates have come away, leaving their impress upon the cement which used to hold them in place. The style of the modelling belongs to the end of the sixth century B.C. Another Greek type has the shape of a Phrygian cap, with the addition of movable cheek-pieces, of which the hinges are partially preserved (No. =200=). Such a helmet is often worn by Amazons, for instance by the Queen Hippolyte on an Attic bowl of about 450 B.C., which is exhibited in the Third Vase Room (fig. 71). It is also shewn in the cast of an Etruscan bronze statuette which stands beside the helmet (No. =201=). The tall oval helmet (No. =202=, fig. 72) with its barbarous pair of horns in the shape of crests of sea-horses, is Italian, but the same type appears on Greek monuments. [Illustration: FIG. 73.--ETRUSCAN AND EARLY ITALIAN HELMETS (NOS. 207, 203). 1:5.]