Another piece of native Italian fashion is the metal belt (No. =216=)
which is also represented in vase paintings of the third century B.C.
(fig. 84). It was worn with the triangular breastplate. Rows of holes
along the edges show that the belts were lined with cloth or leather.
The fastening is simple, one end hooking into the other. Many
elaborate hooks are exhibited (No. =217=). Two oval bronze plaques
(No. =218=) may have belonged to belts of different type.
[Illustration: FIG. 84.--VASE PAINTINGS SHOWING ITALIAN BREASTPLATE
AND METAL BELT.]
Remains of Roman cuirasses are as rare as of the helmets, and for the
same reason; but the general type of the armour worn by the legionary
soldier is illustrated by a small statuette (No. =219=; fig. 85). The
cuirass is of the same design as the flexible Greek type; it is made
of overlapping bands of metal, which are fastened down the front.
There are shoulder-pieces of similar construction, and straps are
brought over from the back to hold the armour in place. Underneath
is a kilt of leather or metal strips. Two other varieties of Roman
cuirass are shown in the cast of the relief representing pieces of
armour (No. =236=), and a fourth is the coat of mail, which appears
in the reliefs of the Columns of Trajan and Marcus Aurelius at Rome
(about 110 and 190 A.D. respectively). It is represented here by
fragments of two different patterns and sizes (No. =220=).
[Illustration: FIG. 85.--BRONZE STATUETTE OF A ROMAN LEGIONARY SOLDIER
(NO. 219). 2:3.]
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