A Handbook of Modern JapanClement, Ernest W. (Ernest Wilson)
History
A Handbook of Modern Japan
Clement, Ernest W. (Ernest Wilson)
Japan
We cannot refrain from referring more particularly to the great
change that has been effected in the whole constitution of Japanese
society. In 1801, below the Court nobles and the feudal lords, there
were four classes of society,—the knight, the farmer, the mechanic,
and the merchant, besides the outcasts. In 1901, below the nobility,
there were only two classes,—the gentry and the common people; and
the distinction between these two is one of name only. In official
records and on certain occasions the registration of the nominal rank
is necessary; but in actual life few questions are asked about a man’s
standing, and merit finds its reward.
[Illustration: FOUR GATES: PALACE, TŌKYŌ; PALACE, KYŌTO; SAKURADA,
TŌKYŌ; NIJŌ CASTLE, KYŌTO]
In 1801 the _samurai_ (knight) was the _beau ideal_ of the Japanese.
His courage was unimpeachable; he was the model, not only of a warrior,
but also of a gentleman, and before him the common people had to bow
their heads to the ground. But now the sword which was his “soul” is a
curio, the bow and arrows are also curiosities, and the panoply either
hangs rusty in a storehouse or is offered for sale by a dealer in
second-hand goods. The _samurai_ is now only an historical character;
and when feudalism was abolished, many an individual of that class
fell into a pauper’s grave, or, forced into unaccustomed manual
labor, learned the culinary art, and entered service in the despised
foreigner’s kitchen!
Indeed, although the soldier is still highly honored, and deeds
worthy of the best of the old _samurai_ are still performed,[174] the
merchant, formerly despised because he bartered for profit, has risen
in esteem and become one of the most important factors in Japanese
society and civilization. The age of 1801 was feudal and æsthetic;
the age of 1901, democratic and commercial. In 1801, the swords;
in 1901, the _soroban_ (abacus): in 1801, the castle; in 1901, the
counting-house: in 1801, _bushi_ (knights); in 1901 budgets.
In 1801 the Japanese wore nothing but their own national costume,
with strictly prescribed uniforms for every occasion. In hot weather
a scarcity or utter lack of clothing was the prevailing style. In
1901 the latter style, though no longer conventional, prevailed
under certain limitations,—when and where the police were not strict
constructionists of the law! And in 1901 there was a great variety of
styles, ranging from pure native to pure foreign, with all kinds of
fits and misfits and ludicrous combinations.
Japanese houses of 1801 and 1901 show some differences. The native
style has been more or less modified by foreign architecture. Glass,
of course, is largely taking the place of paper for doors and windows;
carpeted floors are often preferred to matted floors; stoves, chairs,
tables, lamps, and bedsteads are coming more and more into use; and
brick and stone are more largely employed in the construction of
residences, offices, and stores.
Public-domain text, read in full here on John Shaqi.
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