After 1380 the basinet was made shorter, but the great heaume still continued to be worn, often being strengthened by an additional plate on the left side, where the wearer was likely to receive blows. The sculptured effigy of the Black Prince on his tomb at Canterbury is a typical representation of a knight of the camail period. _5th or Transition Period_: c. 1405 A.D.--c. 1410 A.D. There are a few examples of knights clothed entirely in plate armour, with the exception of the basinet and camail, and this is therefore called the Transition Period leading to the time of the complete adoption of plate armour. [Illustration: PLATE 36. (Fig. 1): Brass of Sir John Creke, in Westley Waterless Church, Cambridgeshire, 1325. It shows a pointed and fluted basinet with the camail of “banded mail” fastened to it. The hauberk, also of banded mail, is seen just above the knees, and the legs and arms are covered with the same kind of armour. The roundles, taking the form of lions’ faces, are seen at the shoulders and elbow. The upper arms are covered with plates over the mail, and the fore-arm covered in the same way with plates, which pass under the short sleeves of the hauberk. The cyclas is seen to be loose, girded at the waist, and shorter in front than behind. Under it is shown the escalloped edge of the gambeson; beneath that the pointed ending of the hauberk, and under that again the folds of the haketon may be seen reaching to the knee-caps. Jamberts or shin pieces cover the shins, and are continued to cover the feet as sollerets. (Fig. 2): A heaume or great helmet, worn in the tournament over the basinet and resting upon the shoulders (1375). (Figs. 3, 4, 5, 6): Shafted weapons of the period. (Fig. 3): A bill, also called a fauchard or guisarme, of the time of Richard II. (From a MS.) (Figs. 4 and 5): Pikes. (Fig. 6): A pole-axe (the voulge). (Fig. 7): A knight wearing a gambeson, from the monumental effigy of Sir Robert Shurland, c. 1300 (after _Ashdown_). (Fig. 8): A heaume, from the brass of Sir Hugh Hastings, 1347 A.D. It shows the _mantling_, or little mantle, hanging over the back of the helmet, the crest, and the _torse_, or wreath, hiding the junction of the crest with the helmet. (Fig. 9): A piece of armour, showing the “splints” or small overlapping plates in the elbow joint. (Fig. 10): A basinet, showing the loops by which the camail is fastened to it. (Fig. 11): Heaume and crest of Sir Geoffrey Luterell, from the Luterell Psalter, 1345 A.D. It has a round top, a movable visor, and a crest on which are displayed the wearer’s “arms.” (Fig. 12): A “snout-nosed” basinet with movable visor or ventaille of the time of Richard II., with the visor raised. (Fig. 13): The same with the visor lowered, as on the battlefield. (Fig. 14): The brass of Sir Robert Symborne, in Little Horkesley Church, Essex, 1391 A.D., showing the arms and armour of