The hat of the period, a truncated cone, will also be noticed, with a feather at the side and turned-up brim. It was frequently ornamented with precious stones. With regard to the bombasted breeches, an amusing tale is told of a man who was being prosecuted at this time for having his breeches stuffed with prohibited articles, but he was acquitted because he proved to the satisfaction of his judges that his stuffing “consisted merely of a pair of sheets, two tablecloths, ten napkins, four shirts, a brush, a glass, a comb, and a night-cap.” The ruff was sometimes exchanged for a wide, stiff collar, standing out horizontally and squarely, and starched and wired as usual, but plain instead of pleated, and it was sometimes edged, like the ruff, with lace. These collars were called “bands,” and were usually stiffened with yellow starch. A slight alteration in costume was made in James’s reign. Short jackets or doublets were worn, and the trunk hose, instead of being slashed and laced, were covered with broad, loose strips, richly embroidered or adorned with buttons, displaying the silk or velvet trunk in the narrow intervals between the strips (see Plate 50, Fig. 1, which shows Prince Henry, the eldest son of James I.). The clothes of the nobles were very gorgeous, being made of silk and velvet, and ornamented with lace, gold and gems. It was said that George Villiers, Duke of Buckingham, a favourite of James I., had a white velvet suit, decorated with diamonds valued at fourteen thousand pounds. Silk, worsted, and thread stockings were now almost universally worn. In a comedy written in 1607, a gentleman’s wardrobe is thus enumerated: “A cloak lined with rich taffeta, a white satin suit, the jerkin covered with gold lace, a chain of pearl, a gilt rapier in an embroidered hanger, pearl-coloured silk stockings, and a pair of massive gilt spurs.” Pure white costumes of silk, velvet, or cloth were very fashionable at this time. Jewels were sometimes worn in the ears of gentlemen, and they also had a custom of allowing a long lock of hair, called a “_love-lock_,” to hang over upon the breast (Fig. 2). The costume of a yeoman of the period consisted of a narrow-brimmed hat with flat crown, a doublet with large wings and short skirts, a girdle about his waist, trunk breeches, with hose drawn up to the thigh and gartered below the knees. _Charles I. and the Commonwealth._