British -- Norway -- Fiction; Conduct of life -- Fiction; Norwegians -- England -- Fiction
Frithiof thought of those words which had involuntarily escaped his
companion after the remark of the passer-by in Piccadilly—“No matter!—I
do not sing for a gossiping world.” He began to understand Donati
better—he longed with an intensity of longing to be able to look at life
with such eyes as his.
“These things are so real to you,” he said quickly. “But to me they are
only a hope—or, if for an hour or two real, they fade away again. It may
be all very well for you in your successful happy life, but it is
impossible for me with everything against me.”
“Impossible!” exclaimed Donati, his eyes flashing, and with something in
his tone which conveyed volumes to the Norwegian.
“If not impossible at any rate very difficult,” he replied.
“Yes, yes,” said Donati, his eyes full of sympathy. “It is that to all
of us. Don’t think I make light of your difficulties. It is hard to seek
God in uncongenial surroundings, in a life harassed and misunderstood,
and in apparent failure. But—don’t let the hardness daunt you—just go
on.”
The words were commonplace enough, but they were full of a wonderful
power because there lurked beneath them the assurance—
“I have been through where ye must go;
I have seen past the agony.”
“Do you know,” said Frithiof, smiling, “that is almost what you said to
me the first time I saw you. You have forgotten it, but a year ago you
said a few words to me which kept me from making an end of myself in a
fit of despair. Do you remember coming to the shop about a song of
Knight’s?”
“Why yes,” said Donati. “Was that really you? It all comes back to me
now—I remember you found the song for me though I had only the merest
scrap of it, without the composer’s name.”
“It was just before my illness,” said Frithiof. “I never forgot you, and
recognized you the moment I saw you to-night. Somehow you saved my life
then just by giving me a hope.”
Perhaps no greater contrast could have been found than these two men
who, by what seemed a mere chance, had been thrown together so
strangely. But Donati almost always attracted to himself men of an
opposite type; as a rule it was not the religious public that understood
him or appreciated him best, it was the men of the world, and those with
whom he came in contact in his professional life. To them his character
appealed in a wonderful way, and many who would have been ashamed to
show any enthusiasm as a rule, made an exception in favor of this man,
who had somehow fascinated them and compelled them into a belief in
goodness little in accord with the cynical creed they professed.
Public-domain text, read in full here on John Shaqi.
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