4. A pretty colour when she gets hot or excited.
5. Quite fascinating brown eyes.
6. Hair that would be lovely if it were only decently done, instead
of scooped away and screwed into a tight knob at the back.
Anybody with these points might make so much of them, if they only knew
how to use them properly. Diana wondered if it would be possible to buy
a book on the secrets of fascination. It was just the element that was
lacking. Putting personality aside, she began probing into the extent of
her friend's mental equipment. She induced her to bring out the
water-colour sketches of former years, and even wrung from her a half
promise that some day--when the weather was nice, and if she had
time--she would paint a picture of the church.
"The boys would each like a sketch of their mother's to take to school
with them," decreed Diana. "Monty would have his framed and hang it in
his study, and show it to all his friends as _your_ work."
"Why, so he might," said Mrs. Fleming, looking much surprised. The idea
had evidently never occurred to her before.
From painting, Diana passed to other accomplishments. Mrs. Fleming
rendered the accompaniments to Elsie's violin pieces and Meg's songs
with a delicacy of touch that revealed the true musician.
"I wish you'd play something to me," begged Diana one day when the
girls' practising was over and their mother was rising from the piano.
"_I_, my dear child! I never play now."
"Why not?"
"I gave up my music long ago, when I got married."
"You haven't forgotten it, though."
"Well, not altogether, of course. I'm a good reader still."
"Please!" urged Diana.
And, to content her impetuous visitor, Mrs. Fleming gave in. She pulled
a volume of Chopin from the stand, and began the twelfth nocturne. It
was years since she had played it, but as she touched the keys the old
spirit crept back into her fingers, and the notes came rippling out
delicately and easily. Diana, sunk back in the recesses of the long
basket-chair, listened fascinated. She loved music when it was of a
superior quality, and she did not often get the chance of hearing
playing such as this.
"More! More!" she begged, when the nocturne came to an end.
The ice once broken, Mrs. Fleming, as much to her own astonishment as to
that of the family, actually revived her interest in the piano. She
hunted out her old pieces and began to practise them. She said it was to
amuse Diana, but it was evident that enjoyment was mixed with her
philanthropy. As a girl she had studied under a good master, and she had
much natural talent. She would improvise sometimes, and even compose
little things of her own.
"Why, my dear," said her husband, peeping into the drawing-room one
evening just at the conclusion of the "Moonlight Sonata", "this takes me
back to the time when we were engaged! I've been sitting listening in my
study."
Public-domain text, read in full here on John Shaqi.
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