Considered in a general way, the first two years after the termination of the Great European War form a period of transition in which the commercial type of aeroplane was gradually evolved from the fighting machine which was perfected in the four preceding years. There was about this period no sense of finality, but it was as experimental, in its own way, as were the years of progressing design which preceded the war period. Such commercial schemes as were inaugurated call for no more note than has been given here; they have been experimental, and, with the possible exception of the United States Government mail service, have not been planned and executed on a sufficiently large scale to furnish reliable data on which to forecast the prospects of commercial aviation. And there is a school rapidly growing up which asserts that the day of aeroplanes is nearly over. The construction of the giant airships of to-day and the successful return flight of R34 across the Atlantic seem to point to the eventual triumph, in spite of its disadvantages, of the dirigible airship. This is a hard saying for such of the aeroplane industry as survived the War period and consolidated itself, and it is but the saying of a section which bases its belief on the fact that, as was noted in the very early years of the century, the aeroplane is primarily a war machine. Moreover, the experience of the War period tended to discredit the dirigible, since, before the introduction of helium gas, the inflammability of its buoyant factor placed it at an immense disadvantage beside the machine dependent on the atmosphere itself for its lift. As life runs to-day, it is a long time since Kipling wrote his story of the airways of a future world and thrust out a prophecy that the bulk of the world’s air traffic would be carried by gas-bag vessels. If the school which inclines to belief in the dirigible is right in its belief, as it well may be, then the foresight was uncannily correct, not only in the matter of the main assumption, but in the detail with which the writer embroidered it.