Bombing brought to being a number of crude devices in the first year of
the War. Allied pilots of the very early days carried up bombs packed
in a small box and threw them over by hand, while, a little later, the
bombs were strung like apples on wings and undercarriage, so that
the pilot who did not get rid of his load before landing risked an
explosion. Then came a properly designed carrying apparatus, crude but
fairly efficient, and with 1916 development had proceeded as far as the
proper bomb-racks with releasing gear.
Reconnaissance work developed, so that fighting machines went as escort
to observing squadrons and scouting operations were undertaken up to 100
miles behind the enemy lines; out of this grew the art of camouflage,
when ammunition dumps were painted to resemble herds of cows, guns were
screened by foliage or painted to merge into a ground scheme, and many
other schemes were devised to prevent aerial observation. Troops were
moved by night for the most part, owing to the keen eyes of the air
pilots and the danger of bombs, though occasionally the aviator had his
chance. There is one story concerning a British pilot who, on returning
from a reconnaissance flight, observed a German Staff car on the road
under him; he descended and bombed and machine--gunned the car until the
German General and his chauffeur abandoned it, took to their heels, and
ran like rabbits. Later still, when Allied air superiority was assured,
there came the phase of machine-gunning bodies of enemy troops from the
air. Disregarding all antiaircraft measures, machines would sweep down
and throw battalions into panic or upset the military traffic along a
road, demoralising a battery or a transport train and causing as much
damage through congestion of traffic as with their actual machine-gun
fire. Aerial photography, too, became a fine art; the ordinary long
focus cameras were used at the outset with automatic plate changers, but
later on photographing aeroplanes had cameras of wide angle lens type
built into the fuselage. These were very simply operated, one lever
registering the exposure and changing the plate. In many cases, aerial
photographs gave information which the human eye had missed, and it is
noteworthy that photographs of ground showed when troops had marched
over it, while the aerial observer was quite unable to detect the marks
left by their passing.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account