An important result of this experimental work was that it in many cases
enabled designers to produce aeroplane parts from less costly material
than had previously been considered necessary, without impairing the
strength. It may be mentioned that it was found undesirable to use
welded joints on aircraft in any part where the material is subjectto
a tensile or bending load, owing to the danger resulting from bad
workmanship causing the material to become brittle--an effect which
cannot be discovered except by cutting through the weld, which, of
course, involves a test to destruction. Written, as it has been, in
August, 1920, it is impossible in this chapter to give any conception of
how the developments of War will be applied to commercial aeroplanes,
as few truly commercial machines have yet been designed, and even those
still show distinct traces of the survival of war mentality. When,
however, the inevitable recasting of ideas arrives, it will become
evident, whatever the apparent modification in the relative importance
of different aspects of design, that enormous advances were made under
the impetus of War which have left an indelible mark on progress.
We have, during the seventeen years since aeroplanes first took the air,
seen them grow from tentative experimental structures of unknown and
unknowable performance to highly scientific products, of which not
only the performances (in speed, load-carrying capacity, and climb) are
known, but of which the precise strength and degree of stability can be
forecast with some accuracy on the drawing board. For the rest, with
the future lies--apart from some revolutionary change in fundamental
design--the steady development of a now well-tried and well-found
engineering structure.
PART III. AEROSTATICS
I. BEGINNINGS
Francesco Lana, with his 'aerial ship,' stands as one of the first great
exponents of aerostatics; up to the time of the Montgolfier and
Charles balloon experiments, aerostatic and aerodynamic research are so
inextricably intermingled that it has been thought well to treat of them
as one, and thus the work of Lana, Veranzio and his parachute, Guzman's
frauds, and the like, have already been sketched. In connection with
Guzman, Hildebrandt states in his Airships Past and Present, a
fairly exhaustive treatise on the subject up to 1906, the year of its
publication, that there were two inventors--or charlatans--Lorenzo de
Guzman and a monk Bartolemeo Laurenzo, the former of whom constructed
an unsuccessful airship out of a wooden basket covered with paper,
while the latter made certain experiments with a machine of which no
description remains. A third de Guzman, some twenty-five years later,
announced that he had constructed a flying machine, with which he
proposed to fly from a tower to prove his success to the public. The
lack of record of any fatal accident overtaking him about that time
seems to show that the experiment was not carried out.
Public-domain text, read in full here on John Shaqi.
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