When he went to other parts of the country he carried his knowledge of Concord as a sort of reference book. From Staten Island he wrote: "The woods are now full of a large honeysuckle in full bloom, which differs from ours.... Things are very forward here compared with Concord." In the Maine woods he recognized his old familiars but in more massively primitive surroundings than those at home. The sandy aridity of Cape Cod furnished him daily with fascinating contrasts, in natural surroundings and in their effect on the residents. On his trip to Mount Washington he found forty-two of the forty-six plants he expected, adding one to his list when, after falling and spraining his ankle, he limped a few steps and said, "Here is the arnica, anyhow," reaching for an _arnica mollis_, which he had not found before. And when he chose to put into essay form some of the information he had gleaned, he was exact without being technical and never for long repressed his lively spirits. The poet in him brought him back continually to the beauty in what he saw. He did not particularly incline to philosophize about creation like Emerson, the sheer facts of it meant so much more to him. Nor did he care to expound the beauties of nature; he simply held them up to view. Take, for example, this bit from "The Pond in Winter," in which the last twelve words are quite as beautiful as the thing they describe: Standing on the snow-covered plain, as if in a pasture amid the hills, I cut my way first through a foot of snow, and then a foot of ice, and open a window under my feet, where, kneeling to drink, I look down into the quiet parlor of fishes, pervaded by a softened light as through a window of ground glass, with its bright sanded floor the same as in summer; there a perennial waveless serenity reigns as in the amber, twilight sky. Or, again, this prose poem quoted in Channing's book: One more confiding heifer, the fairest of the herd, did by degrees approach as if to take some morsel from our hands, while our hearts leaped to our mouths with expectation and delight. She by degrees drew near with her fair limbs (progressive), making pretence of browsing; nearer and nearer, till there was wafted to us the bovine fragrance,--cream of all the dairies that ever were or will be: and then she raised her gentle muzzle toward us, and snuffed an honest recognition within hand's reach. I saw it was possible for his herd to inspire with love the herdsman. She was as delicately featured as a hind. Her hide was mingled white and fawn-color, and on her muzzle's tip there was a white spot not bigger than a daisy; and on her side turned toward me, the map of Asia plain to see. The following passages fulfill the main tenets of the contemporary Imagists: