A History of American LiteratureBoynton, Percy Holmes
History
A History of American Literature
Boynton, Percy Holmes
American literature -- History and criticism
Between 1831 and 1833 Whittier had become intelligently interested
in politics; indeed, had he been a few months older in the autumn of
1832 it is possible that he might have been elected to Congress as a
compromise candidate when Caleb Cushing was unable to secure the seat
for himself, though strong enough to prevent the choice of an opponent.
The young poet had thus learned a good deal about the value of public
opinion and about the power of publicity in molding and wielding it.
When the American Anti-Slavery Society was formed he had at his hand
a great megaphone that could project his voice to the far districts
of the country. As a writer of propagandist verse he was endowed with
what in an orator would be a "natural speaking voice." His convictions
were deep and sincere, he had an easy command of simple rhythms, and
he was used to thinking and speaking in the language of the people. He
was in no danger of falling into academic subtlety or erudition. So,
like his greatest American predecessor in this field--Freneau (see pp.
72-77)--he spoke again and again and always with telling effect.
As a good journalist and rhetorician he made his issues plain
and simple--much simpler in fact than they really were, avoiding
embarrassing qualifications. He appealed to the Northerners as a
people unanimously opposed to human bondage and not as a half-hearted
and divided group. In a generation when the sense of statehood was
infinitely stronger than it is now he assumed a high level of altruism
in Massachusetts, while he stimulated a sense of state resentment
against Virginia or South Carolina. With the memories of the Revolution
refreshed by a series of recent semicentennials, he employed the
conventional language of protest against tyranny; the antislavery
verses resound with vituperative allusions to chains, fetters, yokes,
rods, manacles, and gyves, with Scriptural idiom and with scorn for
the repudiation of Revolutionary principles of freedom. In the opening
lines of "The Crisis" he was skillfully suggestive by his paraphrase
of the missionary hymn "From Greenland's Icy Mountains," and in the
"Letter from a Missionary of the Methodist Episcopal Church, South,
in Kansas to a Distinguished Politician" he turned to contempt the
perversion of the Scriptures in defense of slavery.
"Go it, old hoss!" they cried, and cursed the niggers--
Fulfilling thus the word of prophecy,
"Cursed be Canaan."
Public-domain text, read in full here on John Shaqi.
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