A History of American Literature Since 1870Pattee, Fred Lewis
History
A History of American Literature Since 1870
Pattee, Fred Lewis
American literature -- 19th century -- History and criticism; American literature -- 20th century -- History and criticism
It was his ideal to draw his generation away from their pursuit of gold
and their slavery in the artificial round of the cities, their worship
of European culture, European architecture, European books, and show
them the beauties of their own land, the glories of the life out of
doors, the heroism and sacrifice of the pioneers who made possible the
later period.
"Grateful that I was born in an age of active and mighty enterprise,
and exulting, even as a lad, in the primitive glory of nature, wild
woods, wild birds, wild beasts, I began, as my parents pushed west
through the wilderness, to make beauty and grandeur the god of my
idolatry, even before I yet knew the use of words. To give expression
to this love and adoration, to lead others to see grandeur, good, glory
in all things animate or inanimate, rational or irrational, was my
early and has ever been my one aspiration."
He would be the prophet of a new era. To the bards who are to come he
flings out the challenge: "The Old World has been written, written
fully and bravely and well.... Go forth in the sun, away into the
wilds, or contentedly lay aside your aspirations of song. Now, mark
you distinctly, I am not writing for nor of the poets of the Old
World or the Atlantic seaboard. They have their work and their way of
work. My notes are for the songless Alaskas, Canadas, Californias,
the Aztec lands and the Argentines that patiently await their coming
prophets."[68]
VI
The treatment of Miller by his own countrymen has never been so
laudatory as that accorded him by other lands, notably England, but
his complaint that his own people neglected him is groundless. All the
leading magazines--the _Atlantic_, _Scribner's_, the _Independent_,
and the rest--opened their columns to him freely. That reviews of his
work and critical estimates of him generally were more caustic on this
side the Atlantic came undoubtedly from the fact that the critic who
was to review him approached his book always in a spirit of irritation
at the British insistence that an American book to be worth the reading
must be redolent of the wild and the uncouth, must deal with Indians,
and buffaloes, and the various extremes of democracy. Miller has been
the chief victim of this controversy--a controversy, indeed, which
was waged through the whole period. The eccentricities of the man and
his ignorance and his picturesque crudeness, set over against the
extravagant claims of British writers, aroused prejudices that blinded
the American critic to the poet's real worth.
Public-domain text, read in full here on John Shaqi.
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