A History of American Literature Since 1870Pattee, Fred Lewis
History
A History of American Literature Since 1870
Pattee, Fred Lewis
American literature -- 19th century -- History and criticism; American literature -- 20th century -- History and criticism
Thoreau was one of the most tonic forces of the later period. His
inspiration and his spirit filled all the later school of Nature
writers. One cannot read him long, especially in his later and more
unconscious work, and find oneself unmoved. He inspires to action,
to restlessness of soul. Take an entry like that of January 7, 1857,
made during one of the most tumultuous of New England winter storms:
"It is bitter cold, with a cutting N.W. wind.... All animate things
are reduced to their lowest terms. This is the fifth day of cold,
blowing weather," and so on and on till one fairly hears the roaring
of the storm. Yet, despite the blast and the piercing cold, Thoreau
goes out for his walk as usual and battles with the elements through
miles of snow-smothered wilderness. "There is nothing so sanative, so
poetic, as a walk in the woods and fields even now, when I meet none
abroad for pleasure. Nothing so inspires me, and excites such serene
and profitable thought." His battle with the wind and the cold and the
wilderness grips us as we read. We too would rush into the storm and
breast it and exult in it; we too would walk with Nature under the open
skies, in the broad, wholesome places, and view the problems of life
with serene soul. It is this dynamic element of Thoreau that has given
him his following. He is sincere, he is working from the impulses of
his soul, he is genuine. He is not a scientist: he is a poet and a
seer. When we walk with Burroughs, we see as with new eyes; when with
Thoreau, we feel. With Burroughs we learn of signs and seasons and
traits; with Thoreau we find ourselves straining ears to catch the
deeper harmonies, the mysterious soul of Nature, that somehow we feel
to be intertwined eternally with the soul of man.
II
Public-domain text, read in full here on John Shaqi.
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