A History of American Literature Since 1870Pattee, Fred Lewis
History
A History of American Literature Since 1870
Pattee, Fred Lewis
American literature -- 19th century -- History and criticism; American literature -- 20th century -- History and criticism
To read these volumes is like going out ourselves into the forest
with an expert guide who sees everything and who has at his command
an unlimited store of anecdote and chatty reminiscence of birds and
animals and even plants. To Burroughs, Nature was sufficient in
herself. He loved her for the feelings she could arouse within him,
for the recollections she could stir of the springtime of his life,
for the beauty and the harmony that everywhere he found, and for the
elemental laws that he saw on all sides at work and that stirred his
curiosity. He had no desire to study Nature to secure evidences of a
governing personality. He would draw no moral and offer no solutions
of the problem of good and evil. Of the fortunes of the spirit of man
he cared but little; as for himself, serene, he would fold his hands
and wait. He was no mystic like Thoreau, listening for higher harmonies
and peering eagerly beyond every headland to discover perchance the
sources of the Nile. Upon him there was no necessity save to observe,
to record, to discover new phenomena, to enlarge the store of facts,
to walk flat-footed upon the material earth and observe the working of
the physical mechanics about him and to teach others to observe them
and to enjoy them. To appreciate the difference between Burroughs and
Thoreau one has but to read them side by side. For instance, on March
21, 1853, Thoreau makes this entry:
As I was rising this crowning road, just beyond the old lime
kiln, there leaked into my open ear the first peep of a hyla
from some far pool ... a note or two which scarcely rends the
air, does no violence to the zephyr, but yet leaks through all
obstacles and far over the downs to the ear of the listening
naturalist, as it were the first faint cry of the new-born
year, notwithstanding the notes of birds. Where so long I have
heard the prattling and moaning of the wind, what means this
tenser, far-piercing sound?
Burroughs writes of the same subject in this way:
From what fact or event shall we really date the beginning of
spring? The little piping frogs usually furnish a good starting
point. One spring I heard the first note on the 6th of April;
the next on the 27th of February; but in reality the latter
season was only about two weeks earlier than the former.... The
little piper will sometimes climb a bullrush to which he clings
like a sailor to a mast, and send forth his shrill call. There
is a Southern species, heard when you have reached the Potomac,
whose note is far more harsh and crackling. To stand on the
verge of a swamp vocal with these, pains and stuns the ear.
Then in a foot-note:
The Southern species is called the green hyla. I have since
heard them in my neighborhood on the Hudson.
Public-domain text, read in full here on John Shaqi.
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