A History of American Literature Since 1870Pattee, Fred Lewis
History
A History of American Literature Since 1870
Pattee, Fred Lewis
American literature -- 19th century -- History and criticism; American literature -- 20th century -- History and criticism
And then at last, paralyzed and helpless, his work done, the body he
had gloried in slipping away from him, there came that magnificent
outburst of faith and optimism that throws a glory over the whole of
American poetry, the "Prayer of Columbus":
My terminus near,
The clouds already closing in upon me,
The voyage balk'd, the course disputed, lost,
I yield my ships to Thee.
My hands, my limbs grow nerveless,
My brain feels rack'd, bewildered,
Let the old timbers part, I will not part,
I will cling fast to Thee, O God, though the waves buffet me,
Thee, Thee at least I know.
Sometime the poems of Whitman will be arranged in the order in which
he wrote them, and then it will be seen that the poems by which he is
chiefly judged--the chants of the body, the long catalogues of things
(reduced greatly by the poet in his later editings), the barbaric
yawp and the egotism--belong to only one brief period in his literary
development; that in his later work he was the poet of the larger life
of man, the most positive singer of the human soul in the whole range
of English literature. If the earlier Whitman is the singer of a type
of democracy that does not exist in America except as an abstract
theory, the later Whitman is the singer of the universal heart of man.
The Whitman that will endure emerged from the furnace of the Civil War.
In his own words:
Without those three or four years and the experiences they
gave, _Leaves of Grass_ would not now be existing.[89]
And again,
I know very well that my "Leaves" could not possibly have
emerged or been fashion'd or completed, from any other era than
the latter half of the nineteenth century, nor any other land
than democratic America, and from the absolute triumph of the
national Union arms.[90]
He is not always easy reading; he is not always consecutive and
logical. He said himself that the key to his style was suggestiveness.
I round and finish little, if anything; and could not,
consistently with my scheme. The reader will always have his or
her part to do, just as much as I have had mine. I seek less to
state or display any theme or thought, and more to bring you,
reader, into the atmosphere of the theme or thought--there to
pursue your own flight.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account