A History of American Literature Since 1870Pattee, Fred Lewis
History
A History of American Literature Since 1870
Pattee, Fred Lewis
American literature -- 19th century -- History and criticism; American literature -- 20th century -- History and criticism
"We know very little about a talent," this younger James has written
in his essay on Stevenson, "till we know where it grew up." The James
family, we know, grew up outside the New England environment, in the
State of New York--first at Albany, where the future novelist was born
in 1843, then until he was twelve in New York City. But this in reality
tells us nothing. The boy grew up in London rather than New York. The
father had inherited means that permitted a retired and scholarly life.
Following the birth of Henry, his second son, he had taken his family
for a year and a half to England, and he had come back, both he and his
wife, to quote his son's words, "completely Europeanized." "Had _all_
their talk for its subject, in my infant ears, that happy time?--did it
deal only with London and Piccadilly and the Green Park?... I saw my
parents homesick, as I conceived, for the ancient order."[93] He grew
up in the presence of imported books and papers, the smell of whose ink
fresh from London and the Strand fed his imagination.
Even his playmates transported him into the old world. It was one
Louis De Coppet, a small boy, "straight from the Lake of Geneva," that
first really aroused in him "the sense of Europe ... that pointed
prefigurement of the manners of 'Europe,' which, inserted wedge-like,
if not to say peg-like, into my young allegiance was to split the
tender organ into such unequal halves. His the toy hammer that drove
in the very point of the golden nail. It was as if there had been a
mild magic in that breath, however scant, of another world."[94] While
other lads were reading their juveniles, the young James was poring
over _Punch_. "From about 1850 to 1855," he writes in his essay on
Du Maurier, speaking of himself in the third person, "he lived, in
imagination, no small part of the time, in the world represented by the
pencil of Leech.... These things were the features of a world which he
longed so to behold that the familiar woodcuts grew at last as real to
him as the furniture of his home."
II
Such was the early environment of Henry James. Refinement and rare
culture breathed upon his cradle and surrounded his whole boyhood like
an atmosphere. He was kept sheltered from the world without, as from
something coarse and degrading. He was not allowed to attend the public
schools. "Considering with much pity our four stout boys," the father
wrote to Emerson in 1849, "who have no playroom within doors and import
shocking bad manners from the street, we gravely ponder whether it
wouldn't be better to go abroad for a few years with them, allowing
them to absorb French and German and get such a sensuous education as
they cannot get here."[95]
Public-domain text, read in full here on John Shaqi.
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