A History of American Literature Since 1870Pattee, Fred Lewis
History
A History of American Literature Since 1870
Pattee, Fred Lewis
American literature -- 19th century -- History and criticism; American literature -- 20th century -- History and criticism
later was to be intensively cultivated, cannot be doubted.
Mrs. Stowe's influence upon later writers was greater than is warranted
by her actual accomplishment. The fierce light that beat upon _Uncle
Tom's Cabin_ gave to all of her work extraordinary publicity and made
of her a model when otherwise she would have been unknown. The real
pioneer was Rose Terry Cooke, daughter of a humble family in a small
Connecticut village. Educated in a seminary near her home, at sixteen
she was teaching school and at eighteen she was writing for _Graham's
Magazine_ a novel called _The Mormon's Wife_. That she had never been
in Utah and had never even seen a Mormon, mattered not at all; the tale
to win its audience need be true only to its author's riotous fancy.
But the author had humor as well as fancy, and her sense of humor was
to save her. In her school work in rural districts she was in contact
constantly with the quaint and the ludicrous, with all those strongly
individualized characters that Puritanism and isolated country living
had rendered abundant. They were a part of her every-day life; they
appealed not only to her sense of humor, but to her sympathy. She
found herself thinking of them as she sought for subjects for her
fiction. Her passion and her ambition were centered upon poetry. The
idealism and the loftiness that Harriet Prescott Spofford threw into
her early romance, she threw into her lyrics. Fiction was a thing of
less seriousness; it could be trifled with; it could even record the
humor and the quaintness of the common folk amid whom she toiled. She
turned to it as to a diversion and she was surprised to find that
Lowell, the editor of the new and exclusive _Atlantic_, preferred it to
her poetry. For the first volume of the magazine he accepted no fewer
than five of her homely little sketches, and praised them for their
fidelity and truth.
That the author considered this prose work an innovation and something
below the high tone of real literature, cannot be doubted. In "Miss
Lucinda" (_Atlantic_, 1861), as perfect a story of its kind as was ever
written, she feels called upon to explain, and her explanation is a
declaration of independence:
Public-domain text, read in full here on John Shaqi.
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