A History of American Literature Since 1870Pattee, Fred Lewis
History
A History of American Literature Since 1870
Pattee, Fred Lewis
American literature -- 19th century -- History and criticism; American literature -- 20th century -- History and criticism
That she won her recognition as a writer of dialect tales rather than
as a novelist, a poet, an essayist, a romancer, was due, first, to
the nature of the times, and, secondly, to the fact that the tales
were a section of her own life written with fullness of knowledge
and sympathy. She had been born and reared in a New Hampshire town,
educated in a country school and a rural "female seminary," and, like
Rose Terry Cooke, she had taught school. Later she had broken from
this early area of her life and had resided in Boston. The glamour of
childhood grew more and more golden over the life she had left behind
her; the memories of fragrant summer evenings in the green country and
of the old homes she had known with all their varied inmates grew ever
more tender on her pages as she wrote. It was impossible for her not
to be true to this area that she knew so completely. Characters like
Mrs. Blair and Miss Dyer in "Joint Owners in Spain," or Farmer Eli in
"Farmer Eli's Vacation" stood living before her imagination as she told
of them. She had known them in the flesh. If she were to paint the
picture at all she must paint it as it was in her heart. To add to it
or to subtract from it were to violate truth itself.
Her stories differ from Mrs. Cooke's and Miss Jewett's in a certain
quality of atmosphere--it is difficult to explain more accurately. They
have a quality of humor and of pathos, a sprightliness and freedom
about them that are all their own. They never fall into carelessness
like so much of the work of Mrs. Stowe and they are never poorly
constructed. They are photographically true to the life they represent,
and yet they possess, many of them, the beauties and the graces and
the feeling of romance. They add richness to realism. In style she is
the antithesis of Miss Wilkins. There is beauty in all of her prose, a
half-felt tripping of feet often, a lilting rhythm as unpremeditated
as a bird-song, swift turns of expression that are near to poetry. An
inscription in the Tiverton churchyard halts her, and as she muses upon
it she is wholly a poet:
Public-domain text, read in full here on John Shaqi.
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