A History of American Literature Since 1870Pattee, Fred Lewis
History
A History of American Literature Since 1870
Pattee, Fred Lewis
American literature -- 19th century -- History and criticism; American literature -- 20th century -- History and criticism
The strangeness of the book grows upon one as one reads. It is a book
of lurid pictures--the torture and death of Bras Coupé, the murder of
the _négresse_ Clemence, which in sheer horror and brutal, unsparing
realism surpasses anything in _Uncle Tom's Cabin_, anything indeed
in the Russian realists. It is a book too with a monotone of fear:
the nameless dread that comes of holding down a race by force, or
as Joel C. Harris has phrased it, "that vague and mysterious danger
that seemed to be forever lurking on the outskirts of slavery, ready
to sound a shrill and ghostly signal in the impenetrable swamps
and steal forth under the midnight stars to murder and rapine and
pillage"; the superstitious thrill when at dead of night throbs up
from a neighboring slave yard "the monotonous chant and machine-like
time-beat of the African dance"; the horror of finding morning after
morning on one's pillow voodoo warnings and ghastly death charms placed
seemingly by supernatural hands. No one has ever surpassed Cable in
making felt this uncanny side of the negro. His characterization of
the voodoo quadroon woman Palmyre with her high Latin, Jaloff-African
ancestry, her "barbaric and magnetic beauty that startled the beholder
like the unexpected drawing out of a jeweled sword," her physical
perfection--lithe of body as a tigress and as cruel, witching and
alluring, yet a thing of horror, "a creature that one would want to
find chained"--it fingers at one's heart and makes one fear.
And with all this strangeness, this flash after flash of vivid
characterization, a style to match. "Victor Hugo," one exclaims often
as one reads. Let us quote, say from chapter five. The stars are
Cable's:
There Georges De Grapion settled, with the laudable
determination to make a fresh start against the mortifyingly
numerous Grandissimes.
"My father's policy was every way bad," he said to his spouse;
"it is useless, and probably wrong, this trying to thin them
out by duels; we will try another plan. Thank you," he added,
as she handed his coat back to him, with the shoulder-straps
cut off. In pursuance of the new plan, Madame De Grapion--the
precious little heroine!--before the myrtles offered another
crop of berries, bore him a boy not much smaller (saith
tradition) than herself.
Only one thing qualified the father's elation. On that very
day Numa Grandissime (Brahmin-Mandarin de Grandissime), a mere
child, received from Governor De Vaudreuil a cadetship.
"Never mind, Messieurs Grandissime, go on with your tricks; we
shall see! Ha! we shall see!"
"We shall see what?" asked a remote relative of that family.
"Will Monsieur be so good as to explain himself?"
* * * * *
Bang! Bang!
Alas, Madame De Grapion!
It may be recorded that no affair of honor in Louisiana ever
left a braver little widow.
Public-domain text, read in full here on John Shaqi.
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