A History of American Literature Since 1870Pattee, Fred Lewis
History
A History of American Literature Since 1870
Pattee, Fred Lewis
American literature -- 19th century -- History and criticism; American literature -- 20th century -- History and criticism
One must classify Eugene Field first of all as a humorist, one of the
leading figures in that nondescript school of newspaper comedians that
has played such a part in the history of the period. To a personality
as high spirited and as whimsical as Artemus Ward's he added the
brilliancy of a Locker-Lampson and the improvidence of a Goldsmith as
well as the kindly heart. Seriousness seemed foreign to his nature:
his life was a perpetual series of hoaxes and practical jokes and
hilarious sallies. No one has surpassed him in the making of parodies,
of rollicking paraphrases and adaptations, in skilful blendings of
modern and antique, in clever minglings of seriousness and humor. He
was a maker of brilliant trifles and sparkling _non sequiturs_. His
irreverence is really startling at times. He can make the _Odes_
of Horace seem fit material for the funny column of a Chicago daily
newspaper:
Boy, I detest the Persian pomp;
I hate those linden-bark devices;
And as for roses, holy Moses!
They can't be got at living prices!
Myrtle is good enough for us,--
For _you_, as bearer of my flagon;
For _me_, supine beneath this vine,
Doing my best to get a jag on!
He is boon companion of the old Sabine poet. He slaps him on the back
and invites him to all kinds of costly revelry, assuring him that
Mæcenas will pay the freight. And Horace by no means takes offense. He
is a congenial soul.
I might discourse
Till I was hoarse
Upon the cruelties of Venus;
'T were waste of time
As well as rime,
For you've been there yourself, Mæcenas!
In the presence of such an incorrigible joker the reader feels always
that he must be on his guard. One is never safe. Leafing the pages of
the large collected edition of the poems, glancing over the Bret Harte
echoes like "Casey's Table D'Hôte," smiling at such outrageous nonsense
as "The Little Peach" and "The Onion Tart," one suddenly draws a sharp
breath. At last the heart of Eugene Field:
Upon a mountain height, far from the sea,
I found a shell,
And to my listening ear the lonely thing
Ever a song of ocean seemed to sing,
Ever a tale of ocean seemed to tell.
* * * * *
Strange, was it not? Far from its native deep,
One song it sang,--
Sang of the awful mysteries of the tide,
Sang of the misty sea, profound and wide,--
Ever with echoes of the ocean rang.
And as the shell upon the mountain height
Sings of the sea,
So do I ever, leagues and leagues away,--
So do I ever, wandering where I may,--
Sing, O my home! sing, O my home! of thee.
Public-domain text, read in full here on John Shaqi.
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