A History of American Literature Since 1870Pattee, Fred Lewis
History
A History of American Literature Since 1870
Pattee, Fred Lewis
American literature -- 19th century -- History and criticism; American literature -- 20th century -- History and criticism
If Artemus Ward is Touchstone, Mark Twain is Lear's Fool. He was a
knightly soul, sensitive and serious, a nineteenth-century knight
errant who would protect the weak of the whole world and right their
wrongs. The genuineness and honesty that had been ground into his
soul on the river and in the mines where a man was a man only when he
could show true manliness, were a part of his knightly equipment. When
financial disaster came to him, as it had come to Scott, through no
fault of his own, he refused to repudiate the debt as he might have
done with no discredit to himself, and, though old age was upon him, he
set out to earn by his own efforts the whole enormous amount. And he
discharged the debt to the full. He had, moreover, the true knight's
soul of romance. The _Morte d'Arthur_ and the chronicles of Joan of
Arc, his favorite reading, contained the atmosphere that he loved. He
fain would have given his generation "pure literature," but they bade
him back to his cap and bells. Richardson, as late as 1886, classed him
with the purveyors of "rude and clownish merriment" and advised him to
"make hay while the sun shines."[36]
So he jested and capered while his heart was heavy with personal
sorrows that came thick upon him as the years went by, and with the
baseness and weakness and misery of humanity as the spectacle passed
under his keen observation. Yet in it all he was true to himself. That
sentence in the preface tells the whole story: "I have written at least
honestly." His own generation bought his books for the fun in them;
their children are finding now that their fathers bought not, as they
supposed, clownish ephemeræ, but true literature, the classics of the
period.
And yet--strange paradox!--it was the cap and bells that made Mark
Twain and that hastened the coming of the new period in American
literature. The cap and bells it was that made him known in every
hamlet and in every household of America, north and south and east and
west, and in all lands across all oceans. Only Cooper and Mrs. Stowe of
all our American authors are known so widely. This popularity it was
that gave wings to the first all-American literature and that inspired
a new school of American writers. After Mark Twain American literature
was no longer confined to Boston and its environs; it was as wide as
the continent itself.
BIBLIOGRAPHY
Public-domain text, read in full here on John Shaqi.
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