A History of American Literature Since 1870Pattee, Fred Lewis
History
A History of American Literature Since 1870
Pattee, Fred Lewis
American literature -- 19th century -- History and criticism; American literature -- 20th century -- History and criticism
There was not much to hear. The hat was saying to the ribbons
that it was a fine night, and remarking generally upon the
clear outline of the Sierras against the blue-black sky. The
ribbons, it so appeared, had admired this all the way home,
and asked the hat if it had ever seen anything half so lovely
as the moonlight on the summit? The hat never had; it recalled
some lovely nights in the South in Alabama ("in the South in
Ahlabahm" was the way the old man had heard it), but then
there were other things that made the night seem so pleasant.
The ribbons could not possibly conceive what the hat could be
thinking about. At this point there was a pause, of which Mr.
Folinsbee availed himself to walk very grimly and craunchingly
down the gravel walk toward the gate. Then the hat was lifted,
and disappeared in the shadow, and Mr. Folinsbee confronted
only the half-foolish, half-mischievous, but wholly pretty face
of his daughter.
_M'liss_ is full of such echoes. A little later than _M'liss_, when he
was required to furnish the _Overland_ with a distinctly Californian
story, he set about examining his field precisely as Dickens would
have done. "What are some of the most unusual phases of this unique
epoch?" he asked himself. During a short period women and children
were rare in the remote mining districts. What would result if a baby
were born in one of the roughest and most masculine of the camps? It
is not hard to conjecture how Dickens would have handled the problem;
_The Luck of Roaring Camp_ is Harte's solution. The situation and the
characters are both unique. They would have been impossible in any
other place or at any other moment in the world's history. So with all
of Harte's later stories: undoubtedly there may have been a Roaring
Camp and undoubtedly there were Cherokee Sals and Kentucks, undoubtedly
the gold rush developed here and there Jack Hamlins and Tennessees and
Uncle Billys and Yuba Bills. The weakness of Harte is that he takes
these and peoples California with them. Like Dickens, he selects a few
picturesque and grotesque exceptions and makes of them a whole social
system.
Harte had nothing of the earnestness and the sincerity of the older
master; after a time he outgrew his manner, and evolved a style of
his own--compressed, rapid, picturesque; but this early point of view
he never changed. He sought ever for the startling and the dramatic
and he elaborated the outside of it with care. He studied the map of
California for picturesque names, just as Dickens studied the street
signs of London. He passed by the common materials of human life to
exhibit the strange phenomena of one single accidental moment in a
corner of America.
Public-domain text, read in full here on John Shaqi.
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