A History of American Literature Since 1870Pattee, Fred Lewis
History
A History of American Literature Since 1870
Pattee, Fred Lewis
American literature -- 19th century -- History and criticism; American literature -- 20th century -- History and criticism
The atmosphere and the characters of these Western stories strike us
as strangely unreal and exaggerated to-day. In his short story, _The
Gunpowder Plot_, Eggleston complained that "whenever one writes with
photographic exactness of frontier life he is accused of inventing
improbable things." It seems indeed like a world peopled by Dickens,
these strange phantasmagoria, "these sharp contrasts of corn-shuckings
and camp-meetings, of wild revels followed by wild revivals; these
contrasts of highwayman and preacher; this _mélange_ of picturesque
simplicity, grotesque humor, and savage ferocity, of abandoned
wickedness and austere piety."[61] But grotesque and unreal as it is,
it is nevertheless a true picture of the West in which Lincoln spent
his boyhood. Every detail and every personage in all the novels had an
exact counterpart somewhere in that stirring era.
The novelist, however, is not content with a mere graphic picture.
He is a philosopher. _The Circuit Rider_, for instance, the most
valuable study in the series, brings home to the reader the truth of
the author's dictum that "Methodism was to the West what Puritanism was
to New England." "In a true picture of this life," he adds, "neither
the Indian nor the hunter is the center-piece, but the circuit rider.
More than any one else, the early circuit preachers brought order out
of this chaos. In no other class was the real heroic element so finely
displayed."
The figure of the circuit rider as he strides through the book,
thundering the "Old Homeric epithets of early Methodism, exploding them
like bomb-shells--'you are hair-hung and breeze-shaken over hell,'"
has almost an epic quality. "Magruder was a short stout man, with wide
shoulders, powerful arms, shaggy brows, and bristling black hair.
He read the hymns two lines at a time, and led the singing himself.
He prayed with the utmost sincerity, but in a voice that shook the
cabin windows and gave the simple people a deeper reverence for the
dreadfulness of the preacher's message."
It was his business to preach once or twice a day and three times
on the Sabbath in a parish that had no western bounds. He talked of
nothing but of sin and wrath and judgment to come. His arrival in
the settlement cast over everything an atmosphere of awe. He aroused
violent antagonisms. The rough element banded together to destroy
his influence. They threatened him with death if he entered certain
territory, but he never hesitated. He could fight as well as he could
pray. They would fall broken and bruised before his savage onslaught
and later fall in agony of repentance before his fiery preaching. His
sermons came winged with power.
Public-domain text, read in full here on John Shaqi.
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