A History of American Literature Since 1870Pattee, Fred Lewis
History
A History of American Literature Since 1870
Pattee, Fred Lewis
American literature -- 19th century -- History and criticism; American literature -- 20th century -- History and criticism
Then in desperation he printed a part of it at his own expense under
the title _Pacific Poems_ and sent out copies broadcast to the press.
Never was venture so unpromising crowned with results so startling. The
little book was hailed everywhere as something remarkable. The _St.
James Gazette_ declared that the poem "Arazonian"--that was Miller's
early spelling of the word--was by Browning. The new author was traced
to his miserable lodgings and made a lion of, and before the year was
over the whole original manuscript of _Pacific Poems_ had been brought
out in a beautiful edition with the title _Songs of the Sierras_.
Its author's real name did not appear upon the title page. The poems
were by "Joaquin Miller," a name destined completely to supersede the
more legal patronymic. "The third poem in my first London book," he
explains, "was called 'California,' but it was called 'Joaquin' in
the Oregon book. And it was from this that I was, in derision, called
'Joaquin.' I kept the name and the poem, too, till both were at least
respected."[63]
Few American books have been received by the English press, or any
press for that matter, with such unanimous enthusiasm. Miller was
the literary discovery of the year. The _London Times_ declared the
book the "most remarkable utterance America has yet given"; the
_Evening Standard_ called it poetry "the most original and powerful."
The pre-Raphaelite brotherhood counted its author as one of their
own number, and gave him a dinner. Browning hailed him as an equal,
and the press everywhere celebrated him as "the Oregon Byron." The
reason for it all can be explained best, perhaps, in words that
W. M. Rossetti used in his long review of the poet in the _London
Academy_: "Picturesque things picturesquely put ... indicating strange,
outlandish, and romantic experiences." The same words might have been
used by a reviewer of Byron's first Eastern romance on that earlier
morning when he too had awakened to find himself famous. The book,
moreover, was felt to be the promise of stronger things to come. "It is
a book," continued Rossetti, "through whose veins the blood pulsates
with an abounding rush, while gorgeous subtropical suns, resplendent
moons, and abashing majesties of mountain form ring round the
gladiatorial human life."
II
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