Most of these, like our mediæval cathedrals, are the work of successive kings, who added to the works of their ancestors without much reference to congruity of plan; but one, the Rameseum, was built wholly by the great Rameses in the 15th century B.C., and though the inner sanctuary is so ruined that it can hardly be restored, still the general arrangement, as shown in the annexed woodcut, is so easily made out that it may be considered as a typical example of what an Egyptian temple of this age was intended to have been. Its façade is formed by two great pylons, or pyramidal masses of masonry, which, like the two western towers of a Gothic cathedral, are the appropriate and most imposing part of the structure externally. Between these is the entrance doorway, leading, as is almost invariably the case, into a great square courtyard, with porticoes always on two, and sometimes on three, sides. This leads to an inner court, smaller, but far more splendid than the first. On the two sides of this court, through which the central passage leads, are square piers with colossi in front, and on the right and left are double ranges of circular columns, which are continued also behind the square piers fronting the entrance. Passing through this, we come to a hypostyle hall of great beauty, formed by two ranges of larger columns in the centre, and three rows of smaller ones on each side. These hypostyle halls almost always accompany the larger Egyptian temples of the great age. They derive their name from having, over the lateral columns, what in Gothic architecture would be called a _clerestory_, through which the light is admitted to the central portion of the hall. Although some are more extensive than this, the arrangement of all is nearly similar. They all possess two ranges of columns in the centre, so tall as to equal the height of the side columns together with that of the attic which is placed on them. They are generally of different orders; the central pillars having a bell-shaped capital, the under side of which was perfectly illuminated from the mode in which the light was introduced; while in the side pillars the capital was narrower at the top than at the bottom, apparently for the sake of allowing its ornaments to be seen.