A History of Architecture in all Countries, Volume 1, 3rd ed.: From the Earliest Times to the Present DayFergusson, James
History
A History of Architecture in all Countries, Volume 1, 3rd ed.: From the Earliest Times to the Present Day
Fergusson, James
Architecture -- History
Besides these, there were on the mound at Nimroud a central palace built
by Tiglath Pileser, and one at the south-eastern angle of the mound,
built by a grandson of Esarhaddon; but both are too much ruined for its
being feasible to trace either their form or extent. Around the great
pyramid, at the north-west angle of the mound, were buildings more
resembling temples than any others on it—all the sculptures upon them
pointing apparently to devotional purposes, though in form they differed
but little from the palaces. At the same time there is certainly nothing
in them to indicate that the mound at the base of which they were
situated was appropriated to the dead, or to funereal purposes. Between
the north-west and south-west palaces there was also raised a terrace
higher than the rest, on which were situated some chambers, the use of
which it is not easy to determine.
[Illustration: 71. Pavement Slab from the Central Palace, Koyunjik.]
Notwithstanding the impossibility that now exists of making out all the
details of the buildings situated on the great mounds of Nimroud and
Koyunjik, it is evident that these great groups of buildings must have
ranked among the most splendid monuments of antiquity, surrounded as
they were by stone-faced terraces, and approached on every side by noble
flights of stairs. When all the palaces with their towers and temples
were seen gay with colour, and crowded with all the state and splendour
of an Eastern monarch, they must have formed a scene of such dazzling
magnificence that one can easily comprehend how the inhabitants of the
little cities of Greece or Judea were betrayed into such extravagant
hyperbole when speaking of the size and splendour of the great cities of
Assyria.
[Illustration: 72. Pavilion, from the Sculptures at Khorsabad.]
Public-domain text, read in full here on John Shaqi.
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