A History of Architecture in all Countries, Volume 1, 3rd ed.: From the Earliest Times to the Present DayFergusson, James
History
A History of Architecture in all Countries, Volume 1, 3rd ed.: From the Earliest Times to the Present Day
Fergusson, James
Architecture -- History
Whatever else the ancient world may owe to the learning of the
Egyptians, it seems certain that they were the first to make use of
stone as a constructive building material. As before mentioned, the
Egyptians used a stone Proto-Doric pillar at least 1000 years before the
Greeks or the Etruscans, or any other ancient people we know of, dreamt
of such a thing. The Babylonians and Assyrians never seem to have used
stone constructively, except as the revêtement of a terrace wall; and it
was not till after the conquest of Egypt by Cambyses that we find any
Asiatic nations using a pillar of stone in architecture, or doing more
than building a wall, or heaping mass on mass of this material without
any constructive contrivance. The Indians first learned this art from
the Bactrian Greeks, and many civilised Asiatic nations still prefer
wood for their palaces and temples, as the Assyrians did, and only use
stone as “a heap.” It must have been difficult, however, for any
intelligent people to visit the wonderful stone temples of Thebes and
Memphis without being struck by their superior magnificence and
durability; and we consequently find the Persians on their return,
though reproducing their old forms, adopting the new material, which,
fortunately for them and for our history, was found in abundance in the
neighbourhood of their capitals.
Even, however, on the most cursory inspection, it is easy to see how
little the arts of the Assyrians were changed by their successors. The
winged lions and bulls that adorn the portals at Persepolis are
practically identical with those of Nineveh. The representations of the
king on his throne with his attendants are so similar, that but for the
locality it would require considerable knowledge to discriminate between
Sennacherib and Xerxes. The long procession of tribute bearers—the
symbolical animals slain by the king; the whole ornamentation, in fact,
is so slightly altered from what existed in Assyria, that we are
startled to find how little change in these sculptures the new dynasty
had introduced; and if this is the case with them, and their position
and arrangement are nearly identical, we may feel very certain that the
architecture was also the same.
Public-domain text, read in full here on John Shaqi.
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