Passing over some minor examples, we come to the cathedral of Tournay, to the architect and artist the most interesting of the province. It is a first-class cathedral, more than 400 ft. in length internally, and covering with its dependencies an area of 62,525 sq. ft. It consists of a nave, dedicated in 1066; of a transept, built about the year 1146; the choir, which formed part of this arrangement, was dedicated in 1213, but gave place about a century afterwards to that now standing, which was dedicated in 1338, so that within itself it contains a complete history of the style; and though there is no doubt considerable incongruity in the three specimens here brought together, as they are the best of their respective classes in Belgium, the effect is not unpleasing, and their arrangement fortunate, inasmuch as, entering by the western door, you pass first through the massive architecture of the 11th to the bolder and more expanded features of the 12th century, a fitting vestibule to the exaggerated forms which prevailed during the 14th. In the woodcut (No. 676) the three styles are represented as they stand; but it would require far more elaborate illustration to do justice to the beauty of the deeply galleried nave, which surpasses any specimen of Norman architecture, but which is here eclipsed by the two remaining apses of the transept. These, notwithstanding a certain rudeness of detail, are certainly the finest productions of their age, and are as magnificent pieces of architecture as can be conceived. The choir is the least satisfactory part of the whole; for though displaying a certain beauty of proportion, and the most undoubted daring of construction, its effect is frail and weak in the extreme. Still, if the tracery were restored to the windows, and these filled with painted glass, great part of this defect might be removed. At the best, the chief merit of this choir is its clever and daring construction, but even in this the builder miscalculated his own strength, for it was found necessary to double the thickness of all the piers after they were first erected. This addition would have been an improvement if it had been part of the original design, but as it now is it appears only to betray the weakness which it was meant to conceal. [Illustration: 675. Plan of Cathedral at Tournay. Scale 100 ft. to 1 in.] It is by no means clear that originally there were any entrances at the west front; at least there certainly was no central doorway; and probably the principal entrances were, as in most German churches, under lateral porches.