A History of Architecture in All Countries, Volume 2, 3rd ed.: From the Earliest Times to the Present DayFergusson, James
History
A History of Architecture in All Countries, Volume 2, 3rd ed.: From the Earliest Times to the Present Day
Fergusson, James
Architecture -- History
In the Norman cathedrals the general scheme seems to have been to divide
the height into three equal parts, and to allot one to the pier arch,
another to the triforium or great gallery, and the third to the
clerestory. In all the examples we now have, the upper is the smallest
division; but I cannot help fancying that some arrangement of the
timbers of the roof gave the additional height required. It is generally
supposed that the roof at Peterborough (Woodcut No. 810) was originally
flat. This, however, is by no means clear, nor that it started so low;
but, be that as it may, the woodcut (No. 820) will explain the usual
arrangement, as well as the changes afterwards introduced. At Winchester
the two lower divisions are practically equal, the upper somewhat less,
and the alternate arrangement of the piers hints at a hexapartite vault,
if such should ever come to be executed. When William of Wykeham
undertook to remodel the style of the nave, he first threw the two lower
compartments into one, as shown on the left-hand side of the cut. He
then divided the whole height, as nearly as the masonry would allow him,
into two equal parts, allotting one to the pier arches, and apportioning
the upper as nearly as he could by giving two-thirds to the clerestory
and one-third to the triforium. With pointed arches this was the most
pleasing and satisfactory arrangement adopted during the Middle Ages;
but when something very like it was attempted in the nave of Gloucester
with round arches, the effect was most unpleasing. Before the
architects, however, settled down to this proportion, a variety of
experiments were tried. One of the most successful was the nave of
Lichfield Cathedral (Woodcut No. 812). Here the whole height is divided
equally: one half is given to the pier arches, and the other divided
equally between the clerestory and triforium. If the latter had been
glazed externally, as was the case at Westminster Abbey and elsewhere,
and made to look like part of the church, the whole might be considered
as satisfactory. As it is, the area of the clerestory is so much less
than that of the triforium, that the proportion is not quite agreeable,
though the solidity and repose which this arrangement gives to the roof
is above all praise.
[Illustration: 822. Two Bays of the Nave of Westminster Abbey. Scale 25
ft. to 1 in.]
[Illustration: 823. One Bay of Cathedral at Exeter. Scale 25 ft. to 1
in.]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account