A History of Architecture in All Countries, Volume 2, 3rd ed.: From the Earliest Times to the Present DayFergusson, James
History
A History of Architecture in All Countries, Volume 2, 3rd ed.: From the Earliest Times to the Present Day
Fergusson, James
Architecture -- History
On the south of the line, one of the most beautiful as well as the best
defined architectural provinces is that I have ventured to designate as
Provence or Provençal. Its limits are very nearly coincident with those
of Gallia Narbonensis, and “Narbonese” would consequently be a more
correct designation, and would be adopted if treating of a classical
style of art. It has, however, the defect of including Toulouse, which
does not belong to the province, and consequently the name affects an
accuracy it does not possess. It may, therefore, be better at present to
adopt the vague name of the “Provence” _par excellence_, especially as
Provençal is a word applied by French authors to literary matters much
in the sense it is here used to define an architectural division. The
whole of the south coast of France from the Alps to the Pyrenees belongs
to this province, and it extends up the valley of the Rhone as far as
Lyons, and is generally bounded by the hills on either side of that
river.
Perhaps the best mode of defining the limits of the Aquitanian province
would be to say that it includes all those towns whose names end with
the Basque article _ac_, consequently indicating the presence at some
former period of a people speaking that language or something very
closely allied to it, or at all events differing from those of the rest
of France. It is only on the eastward that the line seems difficult to
define. There are some towns, such as Barjac, Quissac, Gignac, in the
valley of the Rhone, in situations that would seem to belong to
Provence, and until their churches are examined it is impossible to say
to which they belong. On the south Aquitania is bounded by the Pyrenees,
on the west by the sea, and on the North by a line running nearly
straight from the mouth of the Garonne to Langeac, near to Le
Puy-en-Velay.
The third is designated that of Anjou, or the Angiovine, from its most
distinguished province. This includes the lower part of the Loire, and
is bounded on the north-east by the Cher. Between it and the sea is a
strip of land, including the Angoumois, Saintonge, and Vendée, which it
is not easy to know where to place. It may belong, so far as we yet
know, to either Aquitania or Anjou, or possibly may deserve a separate
title altogether; but in the map it is annexed for the present to Poitou
or the Angiovine province.
In Brittany the two styles meet, and are so mixed together that it is
impossible to separate them. In that district there is neither pure
Romance nor pure Frankish, but a style partaking of the peculiarities of
each without belonging to either.
Besides these, there is the small and secluded district of Auvergne,
having a style peculiarly its own, which, though certainly belonging to
the southern province, is easily distinguished from any of the
neighbouring styles, and is one of the most pleasing to be found of an
early age in France.
Public-domain text, read in full here on John Shaqi.
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