A History of Architecture in All Countries, Volume 2, 3rd ed.: From the Earliest Times to the Present DayFergusson, James
History
A History of Architecture in All Countries, Volume 2, 3rd ed.: From the Earliest Times to the Present Day
Fergusson, James
Architecture -- History
Beyond this to the eastward lies the great Burgundian province, having a
well-defined and well-marked style of its own, influenced by or
influencing all those around it. Its most marked characteristic is what
may be called a mechanical mixture of the classical and mediæval styles
without any real fusion. Essentially and constructively the style is
Gothic, but it retained the use of Corinthian pilasters and classical
details till late in the Middle Ages: Burgundy was also in the Middle
Ages the country of monasticism _par excellence_—a circumstance which
had considerable influence on her forms of art.
Taking, then, a more general view of the southern province, it will be
seen that if a line were drawn from Marseilles to Brest, it would pass
nearly through the middle of it. At the south-eastern extremity of such
a line we should find a style almost purely Romanesque, passing by slow
and equal gradations into a Gothic form at its other terminal.
On turning to the Frankish province the case is somewhat different.
Paris is here the centre, from which everything radiates: and though the
Norman invasion, and other troubles of those times, with the rebuilding
mania of the 13th century, have swept away nearly all traces of the
early buildings, still it is easy to see how the Gothic style arose in
the Isle of France, and how it spread from thence to all the
neighbouring provinces.
In consequence, however, of the loss of its early buildings, and of its
subsequent pre-eminence and supercession of the earlier styles, the
description of its features naturally follows that of the subordinate
provinces, and concludes the history of the mediæval styles in France.
Not to multiply divisions, we may include in the Northern province many
varieties that will afterwards be marked as distinct in maps of French
architecture, especially at the south-east, where the Nivernois and
Bourbonnois, if not deserving of separate honours, at least consist of
such a complete mixture of the Frankish and Burgundian with the Southern
styles, that they cannot strictly be said to belong to any one in
particular, though they partake of all. The Northern, however, is
certainly the predominant element, and with that therefore they should
be classed.
Public-domain text, read in full here on John Shaqi.
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