A History of Architecture in All Countries, Volume 2, 3rd ed.: From the Earliest Times to the Present DayFergusson, James
History
A History of Architecture in All Countries, Volume 2, 3rd ed.: From the Earliest Times to the Present Day
Fergusson, James
Architecture -- History
With us the arcades of a cloister are generally, if not always, a range
of unglazed windows, presenting the same features as those of the
church, which, though beautiful when filled with glass, are somewhat out
of place without that indispensable adjunct. In the South the cloister
is never a window, or anything in the least approaching to it in design,
but a range of small and elegant pillars, sometimes single, sometimes
coupled, generally alternately so, and supporting arches of light and
elegant design, all the features being of a character suited to the
place where they are used, and to that only.
[Illustration: 559. Cloister at Fontifroide. (From Taylor and Nodier.)]
[Illustration:
560. 561.
Capitals in Cloister, Elne. (From Taylor and Nodier.)
]
The cloister at Arles has long occupied the attention of travellers and
artists, and perhaps no building, or part of one, in this style has been
so often drawn or so much admired. Two sides of it are of the same age
and in the same style as the porch (Woodcut No. 548), and equally
beautiful. The other two are somewhat later, the columns supporting
pointed instead of round arches. At Aix there is another similar to that
at Arles, and fragments of such colonnades are found in many places.
That of Fontifroide (Woodcut No. 559) is one of the most complete and
perfect, and some of its capitals are treated with a freedom and
boldness, and at the same time with an elegance, not often rivalled
anywhere. They even excel—for the purpose at least—the German capitals
of the same age. Those at Elne are more curious than those of any other
cloister in France, so far as I know—some of them showing so distinct an
imitation of Egyptian work as instantly to strike any one at all
familiar with that style. Yet they are treated with a lightness and
freedom so wholly mediæval as to show that it is possible to copy the
spirit without a servile adherence to the form. Here, as in all the
examples, every capital is different—the artists revelling in freedom
from restraint, and sparing neither time nor pains. We find in these
examples a delicacy of handling and refinement of feeling far more
characteristic of the South than of the ruder North, and must admit that
their architects have in these cloisters produced objects with which
nothing of the kind we have in England can compete.
CHAPTER II.
AQUITANIA.
CONTENTS.
Churches at Périgueux, Souillac, Angoulême, Alby, Toulouse, Conques,
Tours.—Tombs.
Public-domain text, read in full here on John Shaqi.
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