A History of Architecture in All Countries, Volume 2, 3rd ed.: From the Earliest Times to the Present DayFergusson, James
History
A History of Architecture in All Countries, Volume 2, 3rd ed.: From the Earliest Times to the Present Day
Fergusson, James
Architecture -- History
The cathedral at Vienne, mentioned above (p. 58), might, from some of
its details, particularly the form of the pier arches, be fairly classed
with this style, showing as it does the fluted pilasters and other
classical adjuncts found here. These peculiarities are common both to
this and the Provençal style, but the boundary between them is by no
means clearly defined.
[Illustration: 605. East End, St. Menoux. (From Allier, ‘L’ancien
Bourbonnais.’)]
On the northern border of the province we find the church of St. Menoux
(Woodcut No. 605), belonging certainly in many of its details to the
style we are now describing. This is most distinctly observable in the
exterior of the apse of the chevet, a feature which is seldom found
unaltered; here it is surrounded by a series of pilasters of rude
classical design, which give to it a peculiar local character.
Internally too, its chevet (Woodcut No. 606) is remarkably elegant,
though less Burgundian in style. It shows to what an extent the stilting
of round arches could be used to overcome the difficulty of combining
arches of different spans, but all requiring to be carried to the same
height. Like all the old churches of the province, it possesses a large
and important narthex, here the oldest part of the church, and a rude
and characteristic specimen of a style of architecture that can hardly
be later than the 10th century.
[Illustration: 606. Chevet, St. Menoux. (From Allier.)]
These few specimens must suffice to define a style which well deserves a
volume to itself, not only on account of its own architectural merit,
but from the enormous influence exercised both by the order itself and
by its monastic founders on the civilisation of Europe in the age to
which it belongs. During the 11th and 12th centuries Cluny was more
important to France than Paris. Its influence on the whole of Europe was
second only to that of Rome—civilising barbarians by its missionaries,
notwithstanding the feudal nobility, and in many ways counteracting the
ferocity of the times.
CHAPTER VI.
FRANKISH PROVINCE.
CONTENTS.
Exceptional buildings—Basse Œuvre, Beauvais—Montier-en-Der.
INTRODUCTORY.
Public-domain text, read in full here on John Shaqi.
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