History with them was not a mere record of dates or collection of genealogical tables, but an essay on the polity of mankind, to which the narrative afforded the illustration; while their poetry had always a tendency to assume more a didactic than a lyric form. It is among the Aryans that the Epos first rose to eminence and the Drama was elevated above a mere spectacle; but even in these the highest merit sought to be attained was that they should represent vividly events which might have taken place, even if they never did happen among men; while the Celts and the Semites delight in wild imaginings which never could have existed except in the brain of the poet. When the blood of the Aryan has been mixed with that of other races, they have produced a literature eminently imaginative and poetic; but in proportion to their purity has been their tendency towards a more prosaic style of composition. The aim of the race has always been the attainment of practical common sense, and the possession of this quality is their pride and boast, and justly so; but it is unfortunately antagonistic to the existence of an imaginative literature, and we must look to them more for eminence in works on history and philosophy than in those which require imagination or creative power. ART. These remarks apply with more than double force to the Fine Arts than to verbal literature. In the first place a people possessing such a power of phonetic utterance never could look on a picture or statue as more than a mere subsidiary illustration of the written text. A painting may represent vividly one view of what took place at one moment of time, but a written narrative can deal with all the circumstances and link it to its antecedents and effects. A statue of a man cannot tell one-tenth of what a short biography will make plain: and an ideal statue or ideal painting may be a pretty Celtic plaything, but it is not what Aryans hanker after. With Architecture the case is even worse. Convenience is the first thing which the practical common sense of the Aryan seeks, and then to gain what he desires by the readiest and the easiest means. This done, why should he do more? If, induced by a desire to emulate others, he has to make his building ornamental, he is willing to copy what experience has proved to be successful in former works, willing to spend his money and to submit to some inconvenience; but in his heart he thinks it useless, and he neither will waste his time in thinking on the subject, nor apply those energies of his mind to its elaboration, without which nothing great or good was ever done in Art.