The general appearance of the ruins, as they at present stand, will be seen from the woodcut (No. 87).[92] The principal mass in the foreground on the left is the Propylæa of Xerxes, and behind that and to the right stand the pillars of the Chehil Minar, or Great Hall of Xerxes. Between these are seen in the distance the remains of the smaller halls of Darius and Xerxes. [Illustration: 88. Stairs to Palace of Xerxes.] The most striking features in this view are the staircases that led from the plain to the platform, and from the lower level to that on which the great hall stood. Indeed, among these ruins, nothing is more remarkable than these great flights of steps. The builders of those days were, so far as we know, the only people who really understood the value of this feature. The Egyptians seem wholly to have neglected it, and the Greeks to have cared little about it; but it was not so at Nineveh, where, so far as we can understand from the indistinct traces left, the stairs must have been one of the most important parts of the design. But they were so situated that they were not buried when the buildings were ruined, and consequently have been removed. At Jerusalem, too, we read that when the Queen of Sheba saw “the ascent by which Solomon went up to the house of the Lord, there was no more spirit in her.” Indeed, in all the ancient temples and palaces of this district, more attention is paid to this feature than to almost any other; and from their favourable situation on artificial terraces, the builders were enabled to apply their stairs with far more effect than any others in ancient or in modern times. The lower or great staircase at Persepolis is plain, and without any sculpture, but is built of the most massive Cyclopean masonry, and of great width and very easy acclivity. That in front of the great hall is ornamented with sculpture, in three tiers, representing the people of the land bringing presents and the subject nations tribute, to lay at the feet of the monarch, combined with mythological representations; the whole bearing a very considerable resemblance to the sculptures on the walls of the Assyrian palaces, though the position is different. The arrangement of these stairs, too, is peculiar, none of them being at right angles to the buildings they approach, but all being double, apparently to permit of processions passing the throne, situated in the porches at their summit, without interruption, and without altering the line of march. One of these flights, leading to the platform of Xerxes’ palace, is shown in the woodcut (No. 88). In arrangement it is like the stairs leading to the great terrace, but very much smaller, and is profusely adorned with sculpture.