A History of Architecture in all Countries, Volumes 1 and 2, 3rd ed.: From the Earliest Times to the Present DayFergusson, James
History
A History of Architecture in all Countries, Volumes 1 and 2, 3rd ed.: From the Earliest Times to the Present Day
Fergusson, James
Architecture -- History
Another essential part of the order, too often overlooked, is the
colour, which was as integral a part of it as its form. Till very
lately, it was denied that Greek temples were, or could be, painted: the
unmistakable remains of colour, however, that have been discovered in
almost all temples, and the greater knowledge of the value and use of it
which now prevails, have altered public opinion very much on the matter,
and most people now admit that some colour was used, though few are
agreed as to the extent to which it was carried.
It cannot now be questioned that colour was used everywhere internally,
and on every object. Externally too it is generally admitted that the
sculpture was painted and relieved by strongly coloured backgrounds; the
lacunaria, or recesses of the roof, were also certainly painted; and all
the architectural mouldings, which at a later period were carved in
relief, have been found to retain traces of their painted ornaments.
It is disputed whether the echinus or carved moulding of the capital was
so ornamented. There seems little doubt but that it was; and that the
walls of the cells were also coloured throughout and covered with
paintings illustrative of the legends and attributes of the divinity to
whom the temple was dedicated or of the purposes for which it was
erected. The plane face of the architrave was probably left white, or
merely ornamented with metal shields or inscriptions, and the shafts of
the columns appear also to have been left plain, or merely slightly
stained to tone down the crudeness of the white marble. Generally
speaking, all those parts which from their form or position were in any
degree protected from the rain or atmospheric influences seem to have
been coloured; those particularly exposed, to have been left plain. To
whatever extent, however, painting may have been carried, these coloured
ornaments were as essential a part of the Doric order as the carved
ornaments were of the Corinthian, and made it, when perfect, a richer
and more ornamental, as it was a more solid and stable, order than the
latter. The colour nowhere interfered with the beauty of its forms, but
gave it that richness and amount of ornamentation which is indispensable
in all except the most colossal buildings, and a most valuable adjunct
even to them.
IONIC ORDER.
Public-domain text, read in full here on John Shaqi.
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