After several months Duerer received the confirmation of his pension and also the appointment of court-painter. This last office was of very little account to him. The emperor spent little time at Nuremburg, and it was not until he was older that he was seized with the passion of having his portrait painted, and then Duerer had died, and Titian was painter to the court. [Illustration: FIG. 63.--THE FOUR APOSTLES. _By Duerer._] When Duerer returned to his home there was quite an excitement over the collection of curious and rare objects which he had made while absent. Some of these he had bought, and many others were gifts to him, and he gave much pleasure to his friends by displaying them. There had been a great change in Nuremburg, for the doctrines of the Reformation were accepted by many of its people, and it was the first free city that declared itself Protestant. The change, too, was quietly made; its convents and churches were saved from violence, and the art treasures of the city were not destroyed. Among the most important Lutherans was Pirkheimer, Duerer's friend. We do not know that Duerer became a Lutheran, but he wrote of his admiration for the great reformer in his diary, and it is a meaning fact that during the last six years of his life Duerer made no more pictures of the Madonna. These last years were not as full of work as the earlier ones had been. A few portraits and engravings and the pictures of the Four Apostles were about all the works of this time. He gave much attention to the arrangement and publication of his writings upon various subjects connected with the arts. These books gave him much fame as a scholar, and some of them were translated into several languages. As an architect Duerer executed but little work; but his writings upon architectural subjects prove that he was learned in its theories. During several years his health was feeble, and he exerted himself to make provision for his old age if he should live, or for his wife after his death. He was saddened by the thought that he had never been rewarded as he should have been for his hard, faithful labors, and his latest letters were sad and touching. He died in April, 1528, after a brief illness, and was buried in the cemetery of St. John, beyond the walls, where a simple epitaph was inscribed upon his monument. This cemetery is an interesting place, and contains the graves of many men noted in the chronicles of Nuremburg. On Easter Sunday in 1828, three hundred years after his death, a Duerer celebration was held in Nuremburg. Artists came from all parts of Germany. A solemn procession proceeded to his grave, where hymns were sung, and the statue by Rauch, near Duerer's house, was dedicated.