A History of Art for Beginners and Students: Painting, Sculpture, ArchitectureWaters, Clara Erskine Clement
History
A History of Art for Beginners and Students: Painting, Sculpture, Architecture
Waters, Clara Erskine Clement
Art -- History
CLAUDIO COELLO (1635-1693), who, as we have said, has been called the last
of the old Spanish masters, was intended by his father for his own
profession, that of bronze-casting. But Claudio persuaded his father to
allow him to study painting, and before the close of his life he became
the most famous painter in Madrid. He was not only the court-painter, but
also the painter to the Cathedral of Toledo and keeper of the royal
galleries. It was not strange that he should feel that he merited the
honor of painting the walls of the Escorial, and when this was refused him
and Luca Giordano was selected for the work, Coello threw aside his
brushes and paints, grew sad, then ill, and died a year later. His
masterpiece is now in the Escorial; it represents the "Collocation of the
Host." His own portrait painted by himself is in the gallery of the
Hermitage at St. Petersburg.
The school of Seville was the most important school of Spain. It is also
known as the school of Andalusia. It dates from the middle of the
fifteenth century, and its latest master, Alonso Miguel de Tobar, died in
1758.
LUIS DE VARGAS (1502-1568), one of the earliest of the painters of the
school of Seville, was a devout and holy man. He was accustomed to do
penance, and in his room after his death scourges were found with which he
had beaten himself, and a coffin in which he had been accustomed to lie
and meditate upon death and a future life. It is said that Vargas studied
twenty-eight years in Italy. His pictures were fine. His female heads were
graceful and pure, his color good, and the whole effect that of grand
simplicity. His picture of the "Temporal Generation of Our Lord" is his
best work in Seville. Adam is kneeling in the foreground, and his leg is
so well painted that the picture has been called "La Gamba." In spite of
his seriousness Vargas was a witty man. On one occasion he was asked to
give his opinion of a very poor picture of "Christ on the Cross." Vargas
replied: "He looks as if he were saying, 'Forgive them, Lord, for they
know not what they do!'"
Public-domain text, read in full here on John Shaqi.
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