Mr. Copley, soon after his arrival in London, passed over to the Continent, and through Italy, studying in Parma and in Rome. He visited Naples and Paestum also. It is said that he studied so diligently that he was with difficulty persuaded to paint two portraits in Rome. In 1775 he travelled and studied in Germany, in Holland, and in France. This same year his wife and family joined him in England. These consisted of his wife, his son, John Singleton, who afterward became the famous Lord Chancellor Lyndhurst; his daughter Elizabeth, afterward married to a distinguished merchant in Boston, and who survived to a great age; Mary Copley, who lived unmarried to the great age of ninety-four; and another son who died young. In 1777 he was made an Associate of the Royal Academy, and six years later an Academician. He was now in the full tide of success. He was offered five hundred guineas to paint a family group of six persons. The well-known group of Copley's family, called the "Family Picture," the "Death of Lord Chatham," and "Watson and the Shark," were on his easel in 1780. The picture of Lord Chatham falling senseless in the House of Lords was commenced soon after his death in 1778. It was engraved by Bartolozzi, and twenty-five hundred copies were sold in a few weeks. Copley exhibited the picture, to his own profit as well as fame. In 1781 occurred the death of Major Pierson, shot in the moment of victory over the French troops who had invaded the island of Jersey. His death was instantly avenged by his black servant, and of this scene Copley made one of his finest pictures. He took pains, with his usual honesty, to go to St. Helier's, and make a drawing of the locality. The picture is thoroughly realistic, although painful. His large picture of the "Repulse and Defeat of the Spanish Floating Batteries at Gibraltar" was painted on commission from the city of London. It is twenty-five feet long by twenty-two and a half feet high; but there are so many figures and so much distance to be shown in the painting that the artist really needed more room. Of the commander, Lord Heathfield, Sir Robert Royd, Sir William Green, and some twelve or fifteen others, the artist made careful portraits.