Guido did not paint his St. Michael for the Cappucini in Rome until after he returned to his native city. When he sent the picture to the monks, he wrote: "I wish I had the wings of an angel to have ascended into Paradise, and there to have beholden the forms of those beautified spirits from which I might have copied my archangel; but not being able to mount so high, it was in vain for me to search for his resemblance here below, so that I was forced to make an introspection into my own mind, and into that idea of beauty which I have formed in my own imagination." We are told that he always tried to paint his ideal of beauty rather than to reproduce any human beauty that he had seen. He would pose his color-grinder, and draw his outlines from him, and then fill in with his own conceptions of what the head he was painting should be; this accounts for the sameness in his heads and faces. His passion for gaming degraded the close of his life. It led him into great distresses, and for the sake of money he painted many pictures which are not worthy of his name. He had always received generous prices for his pictures, but he left many debts as a blot upon his memory. His works are seen in the galleries of Europe, and are always admired for their feeling, beauty, and grace. FRANCESCO ALBANI (1578-1660), born at Bologna, was another scholar of the Caracci school, and a friend of Guido Reni. There are many works of his in Rome. His pictures of landscapes with figures were his best works, and beauty was his characteristic. His own home had all the advantages for painting such works as he best succeeded in, such as Venus and the Loves, maids and boys, children and Cupids in unending variety. His villa was surrounded by charming views. His wife was very handsome, and they had twelve lovely children, so lovely that it is said that other artists besides himself made use of them for models. There were several other Eclectics of some importance of whom we shall not speak, but shall leave them with an account of ELISABETTA SIRANI (1640-1665), who also was born at Bologna, and is worthy of attention on account of her talents, while the story of her life adds another interest than that which she has as an artist. She was an imitator of the attractive manner of Guido Reni. The heads of her madonnas and magdalens are charming, and, indeed, all her work speaks of the innate refinement of her nature. Her industry was marvellous, since she made one hundred and fifty pictures and etchings in a period of about ten years. Much has been said of the rapidity with which she worked, and one story relates that on a certain day the Duchess of Brunswick, the Duchess of Mirandola, and the Duke Cosimo de Medici, with other persons, met in her studio, and she sketched and shaded drawings of subjects which they named to her, with a skill and celerity which astonished and delighted her guests.