FRANCOIS GIRARDON (1630-1715), born at Troyes, was a _protege_ of the Chancellor Seguier. Louis XIV. gave him a pension, by which he was enabled to study in Rome, and after his return to France the king gave him many commissions. The monument to Cardinal Richelieu in the Church of the Sorbonne is from the hand of this sculptor. Perhaps his best-known work is the Rape of Proserpine at Versailles. He made an equestrian statue of Louis XIV., which was destroyed in the Revolution; a model of it in bronze is in the Louvre. His bust of Boileau is a strong, fine work. Many of his sculptures were destroyed by the revolutionists. A devoted follower of Bernini was PIERRE PUGET (1622-1694). His works are seen at the Louvre and at Versailles. His group of Milo of Crotona endeavoring to free himself from the claws of the lion is full of life and is natural, but the subject is too repulsive to be long examined; his Perseus liberating Andromeda is more agreeable, and is noble in its forms and animated in expression. His Alexander and Diogenes is in relief, and is effective and picturesque. ANTOINE COYSEVOX (1640-1720) was born at Lyons, and manifested his artistic talent very early in life. Before he was seventeen years old he had distinguished himself by a statue of the Virgin, and progressed rapidly in his studies, which he made in Paris. In 1667 he was engaged by Cardinal Furstenburg to go to Alsace to decorate his palace; this occupied him four years. When he again went to Paris he became a very eminent artist. He executed a statue of Louis XIV., and received a commission from the province of Bretagne for an equestrian statue of the same monarch. Among his best works are the tomb of Cardinal Mazarin; the tomb of the great Colbert in the Church of St. Eustache; the monument of Charles le Brun in the Church of St. Nicolas; the statue of the great Conde; the marble statue of Louis XIV., in the Church of Notre Dame, and others. In the tomb of Mazarin he showed fine powers of construction and excellence of design. The kneeling figure of the minister is a dignified statue and well executed; the statues in bronze of Prudence, Peace, and Fidelity, and the marble figures of Charity and Religion are each and all noble works, and free to a remarkable degree from the mannerisms and faults of his time. NICOLAS COUSTOU (1658-1733) was a nephew and pupil of Coysevox. He took the grand prize at Paris, and went to Rome to study when he was twenty-three years old. He made many copies of the antique. After his return to France he was much employed. His chief work was a colossal representation of the Junction of the Seine and the Marne. He also made for the city of Lyons a bronze statue representing the river Saone. Some of his sculptures are in the Church of Notre Dame.