A History of Art for Beginners and Students: Painting, Sculpture, ArchitectureWaters, Clara Erskine Clement
History
A History of Art for Beginners and Students: Painting, Sculpture, Architecture
Waters, Clara Erskine Clement
Art -- History
In 1813 Thorwaldsen was again a victim of malignant fever, and visited
the baths of Lucca, in company with the Baron and Baroness von Schubart,
for the benefit of his health. He met many people and received much
honor, especially from the Grand Duchess of Tuscany. His health was
improved, but his old and tried friend, the Baroness von Schubart, died
the winter following; he felt her loss deeply, for she had been his
friend and confidante from the time of his arrival in Rome.
He was always busy, and one after another of his almost numberless works
was finished. In 1815 he made the Achilles and Priam, a relief which is
sometimes called his masterpiece; in the same year he made the famous
and familiar medallions of Night and Morning; it is said that he
conceived the first while awake in a sleepless, restless condition, and
modelled it entirely on the following day; these medallions have been
reproduced in all possible forms--in engravings, on cameos, gems, in
metals, and a variety of marble, plaster, and porcelain.
About this time Thorwaldsen removed to a spacious studio with gardens,
and received pupils, and was overwhelmed with orders, so that he could
not yet go to Denmark, in spite of the urgent letters he received. He
executed many important original works, and also restored the marbles of
AEgina, now at Munich; this was a great task, but his study of the
antique had made him better able to do it than was any other modern
sculptor.
[Illustration: FIG. 119.--GANYMEDE AND THE EAGLE. _By Thorwaldsen._]
The exquisite group of Ganymede and the Eagle (Fig. 119) shows the
effect of his study of the antique, and the same may be said of his
statue of Hope, a small copy of which was afterward placed above the
tomb of the Baroness von Humboldt. The Three Graces (Fig. 120) belongs
to the year 1817; the Mercury was of about this date, as well as the
elegant statue of the Princess Baryatinska, which is his finest portrait
statue.
After an absence from Denmark of twenty-three years he left Rome in
July, 1819, and turned his face toward home. His model for the famous
Lion of Lucerne had already been sent on before him, and the work
commenced by one of his pupils, Bienaime. Thorwaldsen first went to
Lucerne, where he gave all necessary advice in this work, and then
proceeding on his journey reached Copenhagen on the 3d of October.
Apartments had been prepared for him in the Academy of Fine Arts, and as
soon as it was known that he was there he was the centre of attraction
and importance. Crowds went to welcome him to his home. A great
reception and a grand banquet were given in his honor, and he was lauded
to the skies in speeches, and was made a Counsellor of State, in order
that he might sit at table with the royal family and not violate the
court etiquette.
[Illustration: FIG. 120.--THE THREE GRACES. _By Thorwaldsen._]
Public-domain text, read in full here on John Shaqi.
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