A History of Art in Ancient Egypt, Vol. 1 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 1 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
An examination into the primitive religious beliefs of the Egyptians
is full of difficulty. In discovering new papyri, in determining the
signification of signs which have been puzzling egyptologists, the
inquirer will undoubtedly do good work, and will establish facts which
are sure not to lack interest and even importance; but even when
documents abound and when every separate word they contain is
understood, even then it is very difficult to penetrate to the root of
their meaning. A glimpse will be caught of it, I admit, by one of
those efforts of inductive divination which distinguish modern
research; but even then it will remain to explain the primitive and
only half-understood notions of five or six thousand years ago in the
philosophical vocabularies of to-day. It is here that the most
difficult and irksome part of the task begins. We who represent the
old age, or, perhaps, the prime, of humanity, think of these matters
and speak of them as abstractions, while the Egyptians, who were
children compared to us, thought of them under concrete forms. Their
very ideals were material, more or less vague and refined perhaps, but
still material. Their only conception of a deity was of a figure
larger, more vigorous and more beautiful than mortals; the powers and
attributes with which it was endowed were all physical. If we attempt
to express their conceptions in abstract terms, we falsify their
meaning. We cannot avoid altering it to a certain extent, for exact
equivalents are not to be found, and, in spite of all precautions, we
give to the confused and childish ideas of ancient religion, a
precision which is entirely modern.
[Illustration: FIG. 33.--Amenhotep or Amenophis III. presented by Phré
to Amen-Ra; Thebes. (Champollion, pl. 344.)]
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