A History of Art in Ancient Egypt, Vol. 1 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 1 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
By a process of "abstraction" which is as old as religion itself, the
human intelligence is led to consider separately each of the qualities
of existence, each of the forces which it perceives to be at work
either within man himself or in the exterior world. At first it thinks
those forces and qualities are distributed impartially to all
creation. It confounds existence with life. Hence the reign of
_fetishism_, when man believes, as young children do, that thought,
passion, and volition like his own, are to be found in everything he
meets. His own image seems to him reflected as in a mirror with a
thousand converging facets, and he is unable to distinguish the real
condition of things outside it.
Certain celestial and terrestrial bodies make a particularly strong
impression upon his mind by their size, their beauty, by their evil or
beneficial effects upon himself. They fill him with more than the
average gratitude, admiration, or terror. Driven by the illusion which
possesses him, he places the origin of those qualities which seem to
him the highest and most important, in the bodies which have made so
deep an impression upon his senses; to them he attributes the friendly
or hostile influences which alternately excite his desire and his
fear. According to circumstances a fetish might be a mountain, a rock
or a river, a plant or an animal. It might be those heavenly bodies
which exercised much more influence over the life of primitive man
than they do over us; it might be the moon and stars, which tempered
the darkness of the night and diminished its terrors; it might be the
cloud, from whose bosom came rain and thunder; above all, it might be
the sun which returned every morning to light and warm the world.
Differences of climate and race had their modifying effect, but
everywhere one common characteristic is to be found. It was always to
some material and visible object that the human intellect referred
those forces and qualities which it drew from its own consciousness;
forces which, when thus united with something tangible, constituted
the first types of those divine beings whom mankind have so long
adored, to whom they have turned for ages in their hope and fear.
Public-domain text, read in full here on John Shaqi.
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